Word: 16th
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Dates: during 1930-1939
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...last two years, showed a quality which is rare in art and which sometimes starts more enduring fashions than Treasure Hunts: the intelligent mastery and transforming use of a great past style. In this case it was the so-called "archaic" coolness and clarity of form of 16th-century French painting, after the great portraitist, François Clouet. The line in Artist Guevara's pictures seems almost engraved; her forms are firmly rounded, spick-&-span, in cool, grey-blue space. Most impressive: the Seated Young Woman (see cut), plump and brown in a red skirt and an airy...
...14th-Century Italy, public dissections were held in university halls and were occasions for great festivity. In the 16th Century, British surgeons were legally allowed to dissect dead bodies. Edinburgh surgeons were granted "ane condampnit [condemned] man after he be deid." But by the 18th Century, corpses were in such great demand by anatomists that "resurrection" of dead bodies "became a racket, the like of which Chicago never knew." Rival gangs robbed graves, lured victims to lonely inns, strangled them, sold the remains to innocent doctors. Londoners sang the popular ballad of Mary's Ghost, complaint of a resurrected...
...Johnson collection, now owned by the Philadelphia Museum, formed the nucleus of last week's exhibition at Worcester. Enriched by 44 pictures from public and private collections in Belgium, it was the first sizable, over-all show of 15th, 16th, and 17th-Century Flemish painting ever held in the U. S. Jointly responsible for it were the Worcester Museum's affable, oval Director Francis Henry Taylor and Assistant Director Henri Marceau of the Philadelphia Museum. They succeeded last summer in getting the help of Léo van Puyvelde, distinguished, bluntspoken* director of the Royal Museums of Belgium...
...from Brussels; among the 17th-Century paintings, Rubens' Holy Family Beneath the Apple Tree, also from Brussels. Principal weakness of the exhibition in the eyes of modern students was the fact that it included only two pictures by Pieter Breughel the Elder, the dominant Flemish genius of the 16th Century. At time when the guilds were breaking up and Italian Renaissance influence wa; breaking in, Breughel painted mischievous magnificent scenes of everyday Flemish life. The Worcester exhibition left U. S students still obliged to go to Antwerp Brussels and Vienna to see his larger anc greater works...
Last week at the 16th annual meeting of the Association, more than 1,000 enthusiastic Orthopsychiatrists buzzed in the ballroom of Manhattan's Commodore Hotel, discussed such varied subjects as the connection of economics and personality, hostility of Pilaga Indian children to everybody and everything, emotional qualifications of good teachers, infant pyromania, problems of old age. Cheerful social workers occupied most of the ballroom chairs, but the meeting was dominated by psychoanalysts, who gave evidence of the utility and freshness of old Sigmund Freud's ideas (see p. 41) whence they had all got theirs...