Word: 17th
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Dates: during 1990-1999
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...binding metaphor of 17th century still life was the vanitas, a term deriving from the text in Ecclesiastes, "Vanity of vanities, all is vanity." Such images were meant to show the fleeting nature of the world's goods, honors and sensual pleasures, setting them against the terrible perspective of death, time and judgment. They exemplified the desenga?o del mundo, "disillusionment of the world," that was one of the chief tropes of Spanish Baroque art and literature. They could be small and simple-three moldy skulls and a pocket watch-or fulsome in their cascade of lessons...
...extraordinary influence over who will occupy the Oval Office beginning in 1997. In fact, Reed's success represents the most thorough penetration of the secular world of American politics by an essentially religious organization in this century. To some, this ascendancy evokes more ancient spirits -- say, that of 17th century New England theocracies, which were as invasive as they were close-minded. To the movement's adherents, however, it signifies a bracing, expansive and historic spiritual Renaissance...
...exercise brings to mind a 17th century English pamphleteer named John Twyn, who published a defense of revolution. Condemned for treason, he was hanged, cut down while still alive, emasculated, disemboweled, quartered and, presumably to make absolutely sure, beheaded. A great many Americans today feel that this is just about the treatment appropriate to our journalists. Elsewhere in the world, they are in fact treated almost that way. In 1994, according to the Committee to Protect Journalists, 58 members of the press were assassinated and 173 were in prison in 23 countries at the end of the year...
...Brown's 17th and last goal was scored at the 29:59 mark, right as the horn was sounding...
...beginning of the AIDS epidemic, Susan Sontag's AIDS and Its Metaphors pointed out the dangers of comparing AIDS to a plague. Now, eight years later, Anthony Clarvoe resurrects the analogy and examines The Great Plague in 17th century London. The play's aim, as the narrator explains, is to be of use "if this should ever happen again." From this smug sentiment, the work literally regresses until everyone is sick or dead. This undercuts the play's snappy direction, talented cast and high-profile venue. Hardly prescriptive or inspirational, The Living is monumentally existential...