Word: 17th
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...very little to do with the rendition of abstractly idealized form, derived from Greco-Roman statuary. Other and lesser artists who had been through David's teaching studio believed it did, and had fine theories to support their belief. But Ingres had a horror of theory, and like his 17th century predecessor Nicolas Poussin, he was much more interested in flesh than in marble...
...Russell's co-captain this season, Suzie Miller, has had the most celebrated basketball career among the seniors. An honorable mention All-Ivy selection last season, Miller led the Ivy League in three-point field goal percentage (42.7) as a junior, also good for 17th in the nation in that category. Her eight treys at Penn tied her for the Harvard single-game record...
Next only to Vermeer, De Hooch (rhymes with broke, not pooch) was the greatest Dutch genre artist of the 17th century. Very little is known about his life. He was born in Rotterdam in 1629. He learned painting by apprenticeship there, probably to Nicolaes Berchem. By 1655 his name shows up on the rolls of the artists' guild in Delft. There he must have known the slightly younger Johannes Vermeer. Five years later, he was working in Amsterdam. He married and had seven children. None of his letters survive, and no drawings either. In 1684 he died in a madhouse...
...domesticity had a distinct symbolic point. Disorder, in the real world outside or the formal one inside his paintings, repelled him. Everything in his interiors is swept, garnished. De Hooch epitomizes the Dutch obsession with cleanliness, which at the time was unique in Europe: compared with these frugal bourgeois, 17th century Englishmen, Italians or Spaniards lived like pigs, with the sour reek of sweat always coming from behind the silks and leathers...
That is some of the circumstantial but rather sexy evidence surrounding Edward de Vere, the 17th Earl of Oxford, in a contention that began in 1920 and has gathered steam through the '80s and '90s. De Vere led a life that was a veritable mirror of Shakespeare's art. Why then did he not write under his own name? It would have been unseemly, his advocates point out, for a courtier to attach his name to public wares. And De Vere was a truly uncommon nobleman: he was the hereditary Lord Great Chamberlain and a sometime favorite of Elizabeth...