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...teams will be participating in a five-match round-robin, but for all practical purposes, it is a three-team battle. Brown (ranked 13th in the country), UMass (ranked 17th), and Harvard (ranked 19th) will all be shooting for the crown which will determine the all-important number-one seeding for the New England Championships in two weeks...

Author: By Jon Unger, | Title: Aquadudes Host New England Invitational | 10/20/1989 | See Source »

...Crimson (7-2 overall, 3-0 Ivy League) did get some good news, however. For the first time in recent memory, Harvard is listed in the top 20 national rankings. Harvard was listed 17th in the NCAA Division I poll. Despite losing to the Crimson two weekends ago, Penn (6-2-1 overall, 3-1-1 Ivy) is still listed one spot above Harvard at 16th. B.U. is 12th...

Author: NO WRITER ATTRIBUTED | Title: Rain, Rain Just Won't Go Away | 10/19/1989 | See Source »

FRANS HALS, National Gallery of Art, Washington. The great 17th century Dutch portraitist's bravura brush-work and piercing insight still bring figures to startling life. Incredibly, this is the first major show devoted to him outside the Netherlands. Through...

Author: /time Magazine | Title: Critics' Voices: Oct. 16, 1989 | 10/16/1989 | See Source »

...people they targeted as witches haveunnatural control over their surroundings? In mostcases in colonial America, the accused witches didnot have excessive personal or social power.However, their victims, as well as the hystericalcommunity, perceived them as having some level ofcontrol that both the victims and the communitylacked. The late 17th century witch-hunt at Salem,Massachusetts, provides an example of thishalf-real, half-illusary struggle for controlbetween the "witches" and the community. The verybelief in witchcraft itself became a tool withwhich the victims attempted to gain personalcontrol and the society attempted to maintainsocial order and control of its environment...

Author: By Jenny LYN Bader, | Title: Superstition | 10/11/1989 | See Source »

...painters had batting records, that of Diego Rodriguez de Silva y Velazquez, court painter to Philip IV of Spain, would be perfect. Not only did he paint the best official portrait of the 17th century -- the head of the wary, coarse, cunning old Pope Innocent X, in the Galleria Doria-Pamphili collection in Rome -- but he also made what is perhaps the greatest nonmythical, secular painting in all art history: Las Meninas, in the Prado. Neither is in the wonderful show of 38 paintings by Velazquez, about half lent by the Prado, which opens at the Metropolitan Museum...

Author: /time Magazine | Title: Art: Velazquez's Binding Ethic | 10/9/1989 | See Source »

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