Word: 1840s
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Dates: during 2000-2009
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...1840s and '50s, it focuses on the lives of Kristina (powerfully sung here, as on the original album and on the Stockholm stage, by Helen Sjoholm) and her husband Karl-Oskar (Russell Watson, the Salford factory worker known in England as "the people's tenor"). Nearly starved by crop failures in their native Smaland, Karl-Oskar and his brother Robert (Kevin Oderkirk, who earned vigorous shouts with each of his numbers) resolve to leave the land their ancestors have farmed for a thousand years and go to America. Despite Kristina's severe reservations, that's what they do, accompanied...
...being so careful to place Engels in the drudgery, squalor and dynamism of 19th century England, in the Industrial Revolution and the first great wave of modern globalization, Hunt enables readers to understand and share Engels' sentiments. In Manchester in the 1840s, men and women were treated like animals. Why then should we be surprised that the utopian dreams of early communists were so appealing, or be so certain that they never will be again...
Every political coalition needs a catchy name. The 1840s had the Know-Nothings, the 1980s had the Boll Weevils, and now there are the Blue Dogs, a group of 52 fiscally conservative Democrats in the U.S. House of Representatives whose staunch resistance to the White House's health-care legislation efforts might delay a vote well past President Obama's August deadline. (Read "Why the Blue Dogs Are Slowing Health-Care Reform...
...current fans, the book's cover (adapted from a "beautiful girl" calendar) and title suggest a desire to snare a new clutch of readers: those who can't get enough of Shanghai. Or, to be more precise, a particular Shanghai - the celebrated and notorious treaty port of the 1840s to 1940s that was divided into foreign-run and Chinese-run districts. Now often called "old Shanghai," it gained fame as a place that foreigners could go to get a glimpse of mysterious China (while still enjoying the comforts of home) and Chinese could go to get a sense...
...France's mission civilisatrice to bring the Enlightenment to Arabs. For French colonialists, the veiled Algerian woman was both a sign of resistance to French attempts to shape their society, and a rallying cry to redouble their civilizing efforts. "The Arabs elude us," fretted one general in the 1840s, "because they conceal their women from our gaze." In her brilliant 2007 book The Politics of the Veil, historian Joan Wallach Scott writes that banning the veil has been "a way of insisting on the timeless superiority of French 'civilization' in the face of a changing world...