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...1860s, one Will F. Empey had a perch atop San Francisco's Telegraph Hill, there watched the comings & goings of sailing ships. The Guide, the broadsheet he got out to list each sailing, came to be the bible of West Coast seamen, called itself the oldest shipping paper in the U.S. The wartime ban on publishing ship movements should have been enough to put it out of business...

Author: /time Magazine | Title: The Press: Mutiny on the Guide | 9/24/1945 | See Source »

Toward the end of his pleasant life, Artist Mount flirted with spiritualism. Several of his supramundane gambits made copy for newsmen of the 1860s. The New York Evening Post once gravely reported: "We met him one day in Broadway, and he ... took from his hat a roll of papers filled with etchings by Rembrandt, who had the previous night appeared to him. . . . These . . . were probably Mr. Mount's own work, but produced under some spiritualistic hallucination."* The old painter's preoccupation with Rembrandt was deeper than the Post knew. A few years before his death from pneumonia...

Author: /time Magazine | Title: Art: Rustic Rembrandt | 2/12/1945 | See Source »

...Many hospitals are very old-some go back to the 1860s. Others are poorly designed. Worst fault: lack of outdoor exercise yards...

Author: /time Magazine | Title: Medicine: Halfway Up From Bedlam | 4/17/1944 | See Source »

Pleased with his exhibition, George Washington Carver is equally pleased with a brand-new automatic elevator, a present from his admirer Henry Ford, which was installed six weeks ago to save his aged legs (he was born a slave at an unknown date in the 1860s) the 19 painful steps up to his room. "Exquisite elevator," he chortled. "The doctor said he couldn't do much for me as long as I climbed those 19 steps. I'm not very old, but I've been around a long time...

Author: /time Magazine | Title: Art: Black Leonardo | 11/24/1941 | See Source »

...headed precipitously away from the lone Polish prairie. Enacted in Suffern by the papier-mache horse used by the Lunts in their Taming of the Shrew, the role of the high-tempered stallion is reduced to comic relief. But riding one of his flesh-&-blood predecessors back in the 1860s, Adah Isaacs Menken, most celebrated Mazeppa of them all, was bruised on many occasions by being thrown, kicked, stepped on. As Mazeppa, the well-made Menken used to be stripped down to her step-ins before being tossed aboard the horse. Critics of the time deplored her striptease, grieved...

Author: /time Magazine | Title: The Theatre: Hi Yo Mazeppa | 7/8/1940 | See Source »

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