Word: 1870s
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Dates: during 1990-1999
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...Morrison's lauded Pulitzer Prize winning novel, slavery is explored in a much subtler, almost metaphorical fashion. It is an exercise in psychology, exploring the mind of Morrison's steel-willed protagonist Sethe (Oprah Winfrey), a former slave who now lives as a free woman in Ohio in the 1870s. Sethe is a strong woman of fierce determination but she is haunted, both literally and figuratively, by the pain and horror of her scarred past in bondage. On the outside, Sethe is a pillar of strength and stability, but her soul is reflected by the web of scars that snake...
...Ganado, on the Navajo Reservation, which is home to the country's largest Indian tribe. If you arrive around lunchtime, stop at Ramon's, on state highway 264, for some traditional Navajo fare. You might also stop at the Hubbell Trading Post, a site dating back to the 1870s, which is the oldest continuously operating trading post on the reservation. Ranger-led tours are available...
...obscure chapter in 19th century U.S. history, shortly after the Civil War: the westward emigration of former slaves into the sparsely settled territories of Oklahoma and beyond. Some found the promise of a new life in wide-open spaces, touted in numerous newspaper advertisements in the 1870s, irresistible, and a challenge besides. Morrison was struck by a caveat that often appeared in those ads: "Come Prepared...
Morrison traces the genesis of this brutal act back to the 1870s, when nine African-American patriarchs, ex-slaves in Mississippi and Louisiana, joined together, gathered their wives and children, picking up a few strays in the process, and headed west to settle in the Oklahoma Territory. Eventually, arduously, they reach a town called Fairly, where their spokesmen appeal to the local citizens, blacks like them except with lighter skin, for permission to settle there. The Fairly leaders say no ("Come Prepared or Not at All"). This rejection will reverberate through the next hundred years of the outcasts' collective memory...
...notes of the not yet very famous man who stayed with the Mussons, and Benfey does not help us know this Degas any better. What Benfey instead introduces with his dense detail is a city peculiarly conducive to creativity. By turns menacing and nurturing, the New Orleans of the 1870s lurks behind every knotty relationship and every political machination of Degas' relatives, behind every story of Chopin's or Cable's and behind many of Degas' works...