Word: 1880s
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Dates: during 1960-1969
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...best feelings"), or emotional (Ruskin: "The first universal characteristic of art is tenderness"), or esthetic (Baudelaire: art is "the study of the beautiful"), or hedonistic (Santayana: "The value of art lies in making people happy"), the theory of art as imitation held on. It was finally destroyed in the 1880s-partly because of the appearance of the camera, which copied nature so much more accurately than could any human hand. Artists began to talk of a painting as "an object" in itself rather than the representation of something else...
...prestige visit," was surprised when he came back with 100 orders; this year Wells's man, A.S. Richardson, brought back 1,000 orders, an increase of 200 over five years ago. Henry Poole & Co. has American family accounts going back to the 1880s (one of the partners survived the 1915 sinking of the Lusitania); today 40% of Poole's total orders are from...
Citrus fruit, the arrival of the railroad and Southern California's spreading reputation as a sun-drenched health haven led to a land boom in the 1880s. The landlocked city enhanced its metropolitan status by reaching out 20 miles to annex San Pedro as an outlet to the Pacific. By 1900, the population exceeded 100,000, and when Los Angeles quenched its thirst with an aqueduct to the far-off Owens River Valley in 1913, its destiny was sealed. Los Angeles and its environs claimed well over 2,000,000 inhabitants by 1930. Having emerged after World...
...artist much favored by Buffalo Bill was New Yorker Charles Schreyvogel, who reached manhood in the 1880s only to find that the West had already been won. Undaunted, he set out to become the chronicler of the cavalryman in action, and Cody obligingly let him use the cowboys and Indians in his Wild West show as models. The results may have been at times secondhand-and his dust-raising dramas clearly anticipate the modern Western-but such paintings as The Summit Springs Rescue, glorifying Cody's role in a much disputed battle, so impressed another Wild West fancier, Theodore...
That Duclc Pond. From the solemn solidity of his oils to the airy sprinkle of his watercolors (see opposite page), Homer made reality serve his intense colorism. From the late 1880s on, wherever he traveled, he snapped away with his Eastman Kodak No. 1. Using photos and drawing upon his early training as a lithographer, he captured actuality, studied its nature, and then bent it to his artist's will. In The Lookout, Homer used a Maine neighbor, John Gatchell, as his oilskinned model. He rummaged junk shops to find the bell that served to symbolize a stalwart ship...