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Mayer went West in 1918, just after the first wave of Hollywood pioneers. He had been on the move since his threadbare family left its Cossack-ridden Ukrainian village in the late 1880s and a few years later settled in St. John, New Brunswick. There his father Jacob Mayer struggled as a junkman. Little Louie, half starved, battled anti-Semitic bullies and helped his father--whom he despised as much as he adored his mother. Escaping St. John in his late teens, he moved on to Boston, where he discovered the Nickelodeon, the embryo of the moving-picture business. Quick...

Author: /time Magazine | Title: LOUIS B. MAYER: Lion Of Hollywood | 12/7/1998 | See Source »

...1880s Experimentation A Connecticut candy merchant puts chocolate-caramel taffy on a stick; it's easier...

Author: /time Magazine | Title: Notebook: Sep. 14, 1998 | 9/14/1998 | See Source »

...prayer of return from the elephants' graveyard of reputation, who were buried forever without the least chance of a joyous resurrection or even a polite exhumation, the name of Sir Edward Coley Burne-Jones would surely have come up. The most eminent of Victorians: by the 1880s, an absolute pillar of the British cultural establishment, admired by every connoisseur from John Ruskin on down. The leader of the second wave of that peculiarly English art movement, Pre-Raphaelitism. The man who defined the ideals of pictorial sentiment for an exceedingly pious age; whose angels and Blessed Damozels, Arthurian knights...

Author: /time Magazine | Title: Art: An Escapist's Dreamworld | 6/15/1998 | See Source »

...name two years later when the College changed its color.) It was a thin layer of editorial content surrounded by a thinner layer of advertising. It barely scraped through the 70s, sometimes requiring its editors to pay for the printing costs themselves. But at the beginning of the 1880s it found itself on more solid financial footing...

Author: By Michael Ryan, EDITED BY THE CRIMSON STAFF | Title: The First 100 Years | 1/24/1998 | See Source »

...husband was a successful businessman, and her father left her an inheritance. With money to burn, Gardner began making forays to Europe in the 1880s to "acquire the best." Her haul included 290 paintings, 280 pieces of sculpture, 460 pieces of furniture and much, much more. It is fitting that the centerpiece of her collection was Rape of Europa, because Gardner had her way with the Continent in much the same way that thieves would one day have their way with her collection. With this, she built a temple of finery, personally designing a 15th century Venetian-style palace featuring...

Author: /time Magazine | Title: THE GREAT ART CAPER | 11/17/1997 | See Source »

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