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...artist much favored by Buffalo Bill was New Yorker Charles Schreyvogel, who reached manhood in the 1880s only to find that the West had already been won. Undaunted, he set out to become the chronicler of the cavalryman in action, and Cody obligingly let him use the cowboys and Indians in his Wild West show as models. The results may have been at times secondhand-and his dust-raising dramas clearly anticipate the modern Western-but such paintings as The Summit Springs Rescue, glorifying Cody's role in a much disputed battle, so impressed another Wild West fancier, Theodore...

Author: /time Magazine | Title: Painting: Roundup Time | 8/12/1966 | See Source »

That Duclc Pond. From the solemn solidity of his oils to the airy sprinkle of his watercolors (see opposite page), Homer made reality serve his intense colorism. From the late 1880s on, wherever he traveled, he snapped away with his Eastman Kodak No. 1. Using photos and drawing upon his early training as a lithographer, he captured actuality, studied its nature, and then bent it to his artist's will. In The Lookout, Homer used a Maine neighbor, John Gatchell, as his oilskinned model. He rummaged junk shops to find the bell that served to symbolize a stalwart ship...

Author: /time Magazine | Title: Painting: Chanties in Color | 7/15/1966 | See Source »

...tutorials that involve no class work. Even freshmen are allowed to take ungraded seminars in which they develop their own study projects. And next fall Harvard (which has been vacillating between stressing electives and required courses ever since President Charles W. Eliot dropped nearly all required courses in the 1880s) will announce a swing back toward more electives for general-education freshmen...

Author: /time Magazine | Title: Universities: In Pursuit of Independence | 2/25/1966 | See Source »

...poor Negroes and Puerto Ricans but a pox on the face of the city. Set on the north side of the city just 20 blocks from the Loop, the neighborhood still had its solid old houses with the high-Victorian flare that had been built in the 1880s. But the solid burghers who built them had long since moved to the suburbs. And decay had left the streets lined with seedy bars and sleeping bums...

Author: /time Magazine | Title: The City: A New Time for Old Town | 9/10/1965 | See Source »

...whatever method they were broken, good mustangs made good riding horses-some of them, in fact, displayed undeniable genius. In the 1880s, the authors report, a horse in Texas was trained to run backwards-fast. And a cutting horse named Bosley Blue, who could handle 1,500 head of cattle without a rider to direct him, once grabbed the tail of a raging steer in his teeth, flipped the brute on his back, then calmly sat on top of him till he sizzled down...

Author: /time Magazine | Title: Books: Power of the Prairies | 7/2/1965 | See Source »

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