Word: 1880s
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...1880s, the Vanderbilts, Astors and Oelrichses, with gold-plated silverware and shiploads of newly immigrated servants, invaded the quiet Rhode Island village of Newport, threw up enormous 50-room houses that rivaled European chateaux in size if not in taste. As more nouveaux riches arrived, Bailey's Beach became the playground for the new millionaires, private docks gave shelter to large yachts during the summer, and ladies sipped champagne under parasols while watching their white-flanneled husbands play tennis on grass courts...
...Southampton's first social resident was New York Society Doctor T. Gaillard Thomas, who went there in the 1880s and recommended it to his patients. Eventually, everyone in the upper registers of society followed him. There were the Mellons, the Thaws and the Dilworths from Pittsburgh, the Du Fonts from Delaware, the Morgans and the Murrays from New York. Aside from such "cottages" as the $700,000 mansion that Henry Ford II built, residents support five separate clubs, including the Meadows, which boasts 30 grass tennis courts. Some of the houses and some of the courts have gone to seed...
...WASHING OF THE SPEARS, by Donald R. Morris. This massive history of the Zulu nation highlights two chieftains: Shaka, whose wars of conquest depopulated much of southern Africa, allowing the Boers and British to move in, and his grandson Cetshwayo, who won many battles against British armies of the 1880s but lost the war and the land...
...their seats by police when other efforts to eject them failed. In an attempt to make debate more seemly, Speakers of the past have banned "grossly insulting language" and the use of such words as villain, hypocrite, murderer, insulting dog, swine, Pecksniffian cant, cheat, stoolpigeon and bastard. In the 1880s, one Charles Bradlaugh was refused his seat because he was an avowed atheist. When Bradlaugh tried to take it anyway, he battled ten Bobbies to a draw until he fainted from his exertions...
...figures out of burlap and metal that are raucous commentaries on the self-pride of mankind. Richard A. Miller, 42, casts a conventional bronze nude. But he does it three times in the exquisite feminine gait clearly following Eadweard Muybridge's sequence photo experiments of the 1880s of a walking nude. Frank Gallo, 31, scoops up plastic like ice cream and molds a life-sized nude slouched in a cantilevered sling chair as if she were left over from last night's orgy. Ideal for a living room...