Word: 1890s
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...those years -- functionalism, steel-and-glass buildings and so forth -- had been imported, as intellectual fashion, from Europe. Nothing could be further from the truth. The concise and mighty industrial-based forms of American building, conceived by architects from James Bogardus in the 1850s to Louis Sullivan in the 1890s and by the engineers of a technology whose emblematic climax was John and Washington Roebling's Brooklyn Bridge, were among the prototypes of European avant-garde thinking before and after World War I. Even to the Russian constructivists, "Americanism" was something infinitely desirable: it stood for electricity, progress, a society...
...take them. Hollywood and Broadway, ever sensitive to changing mores, romanticized the drug culture with pot-smoking antiheroes in Easy Rider (1969) and let-it-all-hang-out hippies in Hair (1968). "In the 1960s the baby boomers got fooled into thinking, just like the people in the 1890s, that you could use drugs recreationally and not get addicted to them," says the National Cocaine Hotline's Washton. "Marijuana had a meaning beyond just getting high. It was the source of shared identity among people who had a common point of view, notably that their parents were stupid, that Government...
...walls. Its painting would try to encompass not just sight but noise, heat and smell; above all, it would depict movement. To fix this industrial mode in Italian (and European) culture, the pastoral mode had to be slaughtered. "Kill the moonlight!" one futurist manifesto exclaimed. Whatever lingered from the 1890s -- symbolism, impressionism, the cults of nuance and nostalgia, of the Arcadian countryside or the introverted personality -- was futurism's enemy...
ALTHOUGH IT MAY NO longer be an important part of undergraduate life, the club has an illustrious past as a vital part of College life. After the first attempt at founding a club failed in the 1890s, head football coach Percy D. Haughton '99 and team captain Francis H. Burr '09 revived the club in the fall...
...dance, the human body defies gravity, time and its own limitations; it is man's most eloquent leap toward godliness. Almost a century of the art on film --from the cooch dancers of the 1890s to the breakdancers of the 1980s, from the debonair Fred Astaire to the all-pro running back Gene Kelly--has immortalized that leap. So there is no need for this coffee-table film to strain as mightily as it does to present itself as a class act. That's Dancing! may display Grecian urns to establish the art's ancient pedigree; it may keep referring...