Search Details

Word: 18th (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
Sort By: most recent first (reverse)


Usage:

Visitors to Washington's National Gallery last week found themselves on a rubberneck tour of 18th-Century London. They peered into brawling alleys and elegant, candlelit drawing rooms; into prisons where the whipping posts were "the reward of idleness" and cockpits where the gamblers seemed more ferocious than the cocks. The tour conductors: blunt, biting William Hogarth, ribald Thomas Rowlandson...

Author: /time Magazine | Title: Art: Not So Dumb Show | 3/4/1946 | See Source »

...ballet suites (Firebird, Petrouchka, Sacre du Printemps), Igor Fedorovich Stravinsky had been the No. 1 bad boy of music. He founded a school of cacophony which resulted in atonalism, and then, like his friend Picasso in art, left his school behind. He went on to a preoccupation with 18th-Century counterpoint, and shocked his fellow revolutionaries by having a good word for a romantic composer like Tchaikovsky. In his new symphony, Stravinsky carries his musical vagabonding a step further-blending a kind of Tchaikovskian and Brahmsian romanticism with jazzy rhythms. The Carnegie Hall audience gave it a polite hearing...

Author: /time Magazine | Title: Music: Very Tonal Man | 2/4/1946 | See Source »

...evidence of merciless, meticulous William Hogarth and the caricaturists who followed him, 18th-Century London was mostly a hell of rich periwigged idiots and drunken slum dwellers...

Author: /time Magazine | Title: Art: Ribaldry & Realism | 1/28/1946 | See Source »

...collection of 18th-Century prints (Hogarth and English Caricature; Transatlantic Arts Co.; $4.50), published in London, was available at U.S. bookstores last week. It might surprise 20th-Century readers to learn how much political cartoonists of that day got away with...

Author: /time Magazine | Title: Art: Ribaldry & Realism | 1/28/1946 | See Source »

...when she came on stage; the house was full, and 100 extra people crowded onto the stage, which was decked with enough floral tributes to do justice to a gangster's funeral. But tall, ample Lotte Lehmann, one of the greatest sopranos of her fading day, making her 18th annual appearance at Manhattan's Town Hall, still nervously clutched a handkerchief as she sang Schubert's Müllerin song cycle. Said she, afterwards: "The first concert in New York is always difficult. The heart goes like that! It is like having again a difficult examination...

Author: /time Magazine | Title: Music: Dowager of Song | 1/28/1946 | See Source »

Previous | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | 42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | Next