Word: 1900s
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...Druten's Broadway hit, I Remember Mama, and the movie based on the play. But Producer Irwin and Director Ralph Nelson have not borrowed a single episode from the play and novel. They prefer to concentrate on the basic characters, the locale (San Francisco) and the period (early 1900s). Since the program started, there has been only one major cast change. A spare kinescope (television recording), kept handy in case one of the principals should be taken ill, has never been used...
Adventure in Baltimore (RKO Radio), like a leisurely look into the family album, is good for some drowsy amusement and one or two chuckles. Set in the 1900s, it describes the misadventures of a rebellious young woman (Shirley Temple) who believes in women's rights-especially the right to vote and to paint the nude human figure. Expelled from school for her outlandishly radical notions, Shirley returns home to disgrace her kindly clergyman-father (Robert Young), outrage her boy friend (John Agar), and throw the whole neighborhood into an uproar...
Arising with Drums. In the early 1900s, on every Easter morning, an orchestra hired for the occasion would roll into a kettledrum crescendo which just about lifted the roof off the Middletown (Conn.) Holy Trinity Church. It was Gounod's St. Cecilia Mass. The choir chanted: "I believe in one God . . ." Anda skinny little substitute crucifer, home from boarding school, would tell himself tremblingly: "Boy, I sure...
...Love. A leading figure of the Jewish literary renaissance of the 1900s, Aleichem wrote with passionate love for the Jewish religious tradition; at the same time, he edged his stories with the skepticism that was sweeping European Jewry. He became the spokesman and critic of an entire people. When Tevye mangled a Biblical quotation, bemoaned his everlasting poverty, or quarreled with God (whom Tevye loved so well he could risk familiarity), Jewish readers could recognize both the story and its bite...
...trouble is that in its Tarkington-esque aspects, the show is completely lacking in genuine remembrance, ease and spontaneity. The cyclists are pretty to look at, but as artificially gay in spirit as so many madrigal singers. As a Midwestern servant of the early 1900s, Pearl Bailey is about as believable as Salvador Dali's autobiography, but she does whatever she does with such queenly conviction and emphasis that she is by all odds the best thing in the show...