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...1910s...

Author: /time Magazine | Title: Born In The U.S.A. | 1/23/2006 | See Source »

...living room features several impressive neo-Metaphysical pieces from the 1960s and '70s, including Orpheus the Wearied Troubadour (1970, pictured). During this period, De Chirico reworked the haunting depictions of piazzas and faceless troubadours from the canvases of the 1910s and '20s that made him famous. There are also neo-Baroque portraits of De Chirico and his wife, Isabella, in regal 17th century attire, which display his masterly brushwork and ironic eye for melodrama...

Author: /time Magazine | Title: Drawn From Life | 3/28/2005 | See Source »

...project coordinator for the Giorgio and Isa de Chirico Foundation. The living room features several impressive neo-Metaphysical pieces from the 1960s and '70s, including Orpheus the Wearied Troubadour (1970). During this period, De Chirico reworked the haunting depictions of piazzas and faceless troubadours from the canvases of the 1910s and '20s that made him famous. There are also neo-Baroque portraits of De Chirico and his wife, Isabella, in regal 17th century attire, which display his masterly brushwork and ironic eye for melodrama. De Chirico's spirit is strongest in the top-floor painter's studio, which remains just...

Author: /time Magazine | Title: Drawn From Life | 3/27/2005 | See Source »

...1910s...

Author: /time Magazine | Title: It Flies! | 12/8/2003 | See Source »

...sanatoriums. Paralleling this are the lives of Al, the pragmatic, artless businessman, Lillian, Ted's love interest and Al's mistress, Windsor Newton the pioneering animator, and Nathan, Al's miserable, estranged son and the only other person who sees Waldo. Beginning in the 1910s and ending in the 1990s, "Boulevard" mixes such potboiler elements as murder, sex and betrayal with such themes as the nature of reality, the mystery of inspiration, the exploitation of pop culture and the redemptive power...

Author: /time Magazine | Title: The Transgressive Comix of Kim Deitch | 9/27/2002 | See Source »

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