Word: 1930s
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Dates: during 1950-1959
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...Stubbornness and irresponsibility on both sides have blurred the issues in the U.S.'s most momentous labor-management clash since the 1930s, and the Eisenhower Administration has contributed to the blurring. Within itself, the Administration is divided on the steel strike. Labor Secretary James Mitchell favors a settlement on almost any terms, played a behind-scenes role in California Steelmaker Edgar Kaiser's defection from steel's solid front to make a separate settlement (TIME, Nov. 9). Opposed to Mitchell are White House economic counselors led by Presidential Adviser Raymond Saulnier, who insist that the U.S. public...
...1930s, Eaton's vision had caught the California eye. On weekends, happy Californians packed the place like an amusement park, a sort of Disneyland of death. Some came to see the statues or to inspect the graves of their favorite show people-Tom Mix, Jean Harlow, Carole Lombard, Irving Thalberg, Marie Dressier, Flo Ziegfeld are buried in Forest Lawn. Many found that the 100.000 shrubs provided plenty of quiet places to neck in. Eaton encouraged them all, and reached them all with the Forest Lawn message: "Everything at time of sorrow, in one sacred place, under one friendly management...
Born 43 years ago into a wealthy Chicago family (Thor Power Tool Co.), Florsheim was a painfully shy child, channeled all his energies into straight-A scholarship and crude, gloomy art. His father reluctantly helped him get an art education in Europe during the 1930s, but before World War II Florsheim managed to sell just one picture...
...United Steelworkers were digging in for a prolonged battle of principle (see The Economy). Digging in behind them were such major industries as copper, shipping, railroads and meat packing in what promised to be the greatest labor-management confrontation since the sit-down-strike days of the 1930s. At stake was not only the prosperous pace of business but the President's own strong stand against inflationary wage-price boosts...
...neophyte in search of a style after World War II, the place to be was San Francisco. The California School of Fine Arts, which in the 1930s had brought Diego Rivera to San Francisco, had suddenly burst into life again, this time around two fiery abstract painters, Russian-born Mark Rothko, who was scrubbing canvases with shimmering bands of color, and North Dakota-born Clyfford Still, whose outsize paintings suggested both Western canyons and bark peeled from a tree. Talented younger men (notably Sam Francis and Lawrence Calcagno) spread the Rothko-Still gospel in staccato dab-and-dash across...