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...studio that served as his de facto home: "On October 2, 1931, Fleming received the most important document of his professional life. MGM delivered a letter of agreement for him to direct 'one photoplay' within a seventeen-week period for a salary of $40,000. For most of the 1930s, similar notes would fly back and forth between Victor's lawyers and the studio, because he resisted any long-term contract. Fleming would soon become the MGM director. In 1971, for an oral history project at Columbia University, the producer Pandro S. Berman, who joined MGM in 1940, was asked...

Author: /time Magazine | Title: Why Victor Fleming Was Hollywood's Hidden Genius | 12/22/2008 | See Source »

...Robinson (Brock Peters), a black man, has been accused of raping a white woman, and Atticus takes on the case - a perilous assignment in an Alabama town in the 1930s. He offers brilliant arguments, demolishes the opposition, convinces each member of the movie audience...and loses. But Atticus has shown courage by putting his reputation on the line. Later in the film, he embodies a kind of pacifist resistance. The white woman's racist father sees him with some blacks and spits in his face. Atticus, with ferocious dignity, takes out a handkerchief, wipes off the insult and walks away...

Author: /time Magazine | Title: Mockingbird Director Robert Mulligan Dies at 83 | 12/21/2008 | See Source »

...point that we may have more clout in the world militarily but others have more clout economically? I have read that what really brought the U.S. out of the Great Depression was World War II. Could it be that what brought the U.S. out of the Depression of the 1930s was the savings and the controlled spending of the people--along with the borrowing that took place during the war? Bill Brouwers, MIDDLEBURY...

Author: /time Magazine | Title: Inbox | 12/17/2008 | See Source »

...would be to take artistic freedom for granted. “The Art of Subversion: Nonconformist Art from the Soviet Union,” an exhibit at the Davis Center for Russian and Eurasian Studies running until Jan. 22, showcases artists that struggled to uphold these ideals in the 1930s, when the Soviet Union began to repress artistic expression. The artistic norm of the day was social realism, which “was charged with the task of constructing representational scaffolding for the projected reality awaiting Soviet citizens,” curator Anna Wexler Katsnelson wrote in the pamphlet accompanying...

Author: By Erika P. Pierson, CRIMSON STAFF WRITER | Title: Davis Center Exhibits 'The Art of Subversion' | 12/12/2008 | See Source »

There's a yawning gap, though, between the recessions of the 1970s and 1980s - when gross domestic product fell 2% to 3% and the unemployment rate rose 4 percentage points - and the conditions of the early 1930s. During the Great Depression, the economy shrank more than 26% over four years. The unemployment rate rose from about 2% to 25%. There are a lot of good reasons - the activism of the Federal Reserve, payments from Social Security and unemployment insurance that act as economic stabilizers, and the incoming Administration's plans for big-time fiscal stimulus - to think that...

Author: /time Magazine | Title: Don't Say the D Word | 12/11/2008 | See Source »

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