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Word: 1950s (lookup in dictionary) (lookup stats)
Dates: during 1990-1999
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Have we all been here before? Yes, and in this lifetime too. America flirted with Buddhism in the 1950s and again in the '70s; vestiges of those dalliances still waft, pleasant yet amorphous, through the pop atmosphere. Chicago Bulls coach Phil Jackson applies Zen to the art of Michael maintenance, and Tina Turner and Herbie Hancock chant Buddhist mantras. Terms such as Nirvana and koan are in common usage, if seldom understood...

Author: /time Magazine | Title: BUDDHISM IN AMERICA | 10/13/1997 | See Source »

...Dalai Lama lives in exile, than on Hollywood sets. But his Buddhist fascination, like that of many his age, began during his college years with Zen, as idiosyncratically presented by Beat writers like Jack Kerouac, Gary Snyder and Allen Ginsberg. America had shown some interest in Buddhism before the 1950s: Henry David Thoreau wrote, "some will have bad thoughts of me, when they hear their Christ named beside my Buddha." But the Beats' incorporation of koans into the phenomenon of "hip" made them de facto recruiters for a hardy group of Japanese Zen masters who had begun arriving on both...

Author: /time Magazine | Title: BUDDHISM IN AMERICA | 10/13/1997 | See Source »

...with the promise and power of his youthful work. Badlands, which was shot for somewhere between $250,000 and $350,000--no money even in those days--starred Martin Sheen and Sissy Spacek as on-the-lam lovers, a story seemingly inspired by the case of Charles Starkweather, the 1950s spree killer. Unlike, say, Natural Born Killers, the film is less interested in violence than in the ways in which its two self-absorbed romantics fail to communicate with each other and yet somehow bond; to wit, the dialogue includes some of the drollest non sequiturs in movie history...

Author: /time Magazine | Title: TERRENCE MALICK: HIS OWN SWEET TIME | 10/13/1997 | See Source »

...years: Median age of a vehicle on the road in the U.S. (the oldest it has been since the 1950s...

Author: /time Magazine | Title: Notebook: Oct. 13, 1997 | 10/13/1997 | See Source »

Godard, the Don Corleone of the French New Wave, speaks a language that is both unfamiliar and seductive. As a university student in Paris in the 1950s, Godard spent his days in dark pockets of Left Bank cinema clubs. He soon began to contribute to Parisian film journals, in which he wrote reviews and articles under the whispery pseudonym Hans Lucas. When his wealthy parents cut off his pocket money, he took to robbery but remained an avid fan of the cinema, even from the depths of a prison cell...

Author: By Lauren M. Mechling and Hanna R. Shell, CRIMSON STAFF WRITERSS | Title: Riding the New Wave: Absolut Godard | 10/3/1997 | See Source »

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