Word: 1950s
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...many. I felt that it was important to show that women older than 40 can be sexy, too. There are never images of women with gray hair or older women in the magazines. And women are always portrayed as sexy like a pin-up model from the 1950s, not something feminine or gracious, just provocative. I want to show that women can love fashion like I do and have a normal job and enjoy taking care of themselves and their families. Even when cosmetics companies use women of a certain age in their advertising, like Sharon Stone for Dior...
...rewarded with ever faster and ever smaller computers. At some point soon, however, miniaturization will reach a point that's too tiny to be practical. It's then, many hope, that what's known as quantum computing - based on information-sharing particles - will take over. (See the top 10 1950s Sci-Fi movies...
...bygone musical eras - take DJ Shadow, Amon Tobin or Mr Scruff. Enter Retrochine. More than a collection of kitsch remixes, this second release by Schtung Music duo Morton Wilson and producer Ian Widgery follows on from their hugely successful 1930s Shanghai Lounge Divas album, but this time ventures into 1950s and 1960s Hong Kong through the classic musical films of the Shaw Brothers...
Decades of conservatism and very little new lending--by the mid-1940s, more than half of City's assets were in U.S. government bonds--gave way to a new era of growth in the 1950s. The drivers were international expansion and domestic innovation, and the leader was Walter Wriston. The bank's CEO from 1967 to 1984, Wriston changed the y in City to an i. After years of success, though, he left the bank with billions in bad loans to Latin America. Only profits generated by the U.S. retail-banking and credit-card juggernaut built by Wriston's prot?...
...handful of crooners currently lobbying for copyright extension. French singer Johnny Hallyday - a close friend of French President Nicolas Sarkozy - and the British pop legend Cliff Richard have run high-profile campaigns in the hope of continuing to collect royalties on recordings of songs they released in the 1950s. "Copyright is an economic instrument, not a moral one," Andrew Gowers, author of a 2006 British-government-funded study of intellectual-property laws and a proponent of shorter copyright terms, recently said. "Consumers find themselves paying more for old works. [Extending copyright] will line the pockets of lobbyists from the 'When...