Word: 1950s
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...seen one or two comparisons of 3:10 to Yuma with Unforgiven. These are not entirely apt. Mangold's offering lacks the blackness and absurdity of Clint Eastwood's great film. It is more in the vein of Anthony Mann's westerns of the 1950s - trim, efficiently paced, full of briskly stated conflicts that edge up to the dark side, but never fully embrace it. That's quite all right. 3:10 to Yuma reminds us that well-made westerns - precisely because they are such a ritualized and conventionalized form - have an ability to isolate moral conflicts in spare, essentially...
...could have lived with the burden of comparison to the King of Rock 'n' Roll. Rockabilly pioneer Janis Martin did. In the mid-1950s, riding the success of Blue Suede Shoes and Heartbreak Hotel, RCA discovered the talented 15-year-old and dubbed her the "female Elvis." Though she privately winced at the moniker, Martin--who preferred the sound of Carl Perkins--lived up to the billing with a booming voice, gyrating hips and appearances on American Bandstand and the Tonight Show. She faded in the late '50s, but her records, including Drugstore Rock 'n' Roll...
...1950s, Stanford psychologist Leon Festinger famously used the term cognitive dissonance to describe the discomfort we feel when our behaviors don't align with our beliefs. Festinger found that people will go to great lengths to reduce dissonance. In one well-known experiment, those who had been asked to falsely claim that a boring task--placing spools on a tray, for instance--was fun were later found to have persuaded themselves that the task really was fun. They had crossed over from hypocrisy to something more pathetic: self-deception. In this light, getting married, having kids and advancing conservatism looks...
...1950s...
...foreign visitor might find it strange to find a rock subculture in the Middle East, but Haber, a former Catholic schoolboy, sees a similarity between rock's golden age during the 1950s and 1960s in America, and the Middle East today - sexually repressed conservative societies dominated by religion and an ideological cold war. Interviewed last week at the band's studio in Gemmayze, a formerly working-class neighborhood of garages and crumbling townhouses that's become ground zero for Beirut's young and restless, Haber places the Beirut rock scene in a wider Mideast cultural context...