Word: 19th
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Dates: during 1960-1969
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...only concession to the Communist era is a giant painting of Lenin in the antechamber. Inside the hall itself, huge chandeliers illumine white marble wall plaques celebrating the knights who won fame and honor in the Czarist army; shaped in stucco are Russian victories from the 15th to the 19th century. It was amid those trappings last week that the Soviet Union, in quest of another, far more difficult victory, assembled some 300 leaders of 75 Communist parties from around the world for the third postwar summit meeting in the history of the Communist movement...
Functionally, Marxism is a vision, belonging more to poetics than to science or politics. It began as a sensitive man's response to an early stage of a fundamental transformation in the human condition. The great change that had set in by the middle of the 19th century still rolls on, gathering speed and extending its breadth. Today, as in Marx's time, men feel the change as both a threat and a promise. It evokes fear and hope simultaneously. The Marxist vision is a peculiar, sometimes deadly-but for many men an effective-way of perceiving...
...tried to distract his subjects from problems of the plague and the Counter-Reformation by staging Italian opera at his court. The royal theatricals became a showcase for the works of such musical immortals as Gluck, Mozart, Haydn, Beethoven and Schubert. Toward the end of the 19th century, Composer-Conductor Gustav Mahler ushered in another Golden Age of Viennese opera by stressing dramatic stagecraft as well as musical excellence in his productions. The years that followed were a time of great names (Enrico Caruso, Maria Jeritza, Lotte Lehmann, Bruno Walter and Arturo Toscanini) and spectacular gestures. Many Viennese still remember...
...19th century, a Hungarian statesman developed a temporary obsession with chess. He hired a student to play with him for ten hours a day. In the end, the statesman was cured -but the student went...
Conroy subsists in a pale no-man's-land between faith and apostasy-between the 19th century to which he cannot return and the 20th century to which he cannot adapt. In a scene of lovely irony, he sits in a barber's chair fascinated by a U.S. western on TV, while, in the next room, a dying old man struggles to remember half-forgotten lines of Gaelic song...