Word: 19th
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Dates: during 1970-1979
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...autographs, Victorian and Edwardian jewelry, and art deco furniture. It seems that nothing that can be collected is being neglected. Well, almost nothing. Among the few items that have not appreciably gained in value in recent years: Jacobean furniture and portraits by lesser English artists of the 18th and 19th centuries...
...Pivar, 49, resembles an apparition from one of the dark Victorian paintings of which he is an avid collector. A New Yorker who owns several plastics companies, he accumulates paintings and bronzes because "there is nothing more exciting than to have great objects of art around." He concentrates on 19th century academics, pre-Raphaelites and symbolists, because at the time he began collecting 20 years ago they cost relatively little. Hofstra-educated Pivar has steeped himself in his field since then, reading exhaustively and traveling to important auctions around the world. Says he: "To be a knowledgeable collector of 19th...
...decor," adding: "You are not supposed to look at the paintings, they look "at you. The art puts out the energy." Anything that produces energy these days should be profitable, of course, and Pivar's collection is no exception. "Since I started to collect," he says with satisfaction, "19th century painting has increased tenfold in value. It can still go another tenfold...
...historical evidence, or its capacity to generate aesthetic pleasure, but for its convertibility into cash. The exoticism of high price generates curiosity, and this curiosity fills the museum, turning it into a low-rating mass medium. But there it collides with an older American tradition, the 19th century reformist belief that contact with works of art is morally elevating and that museums are, in spirit, secular churches. In the eddies of this confluence, the work of art, battered and sucked this way and that by incompatible necessities, becomes simultaneously prominent and invisible. It can no longer speak as it once...
...Sinners in the Hands of an Angry God," which compared the sinner's plight to "a spider or loathesome insect" held over a fire. When Edwards preached, all New England shook in its boots. But the so-called Golden Age of Preaching did not come until the 19th century, with stemwinders like Henry Ward Beecher of Brooklyn and Phillips Brooks of Boston. Clyde Fant of the First Baptist Church in Richardson, Texas, a former homiletics teacher, notes that even then folks found fault with the state of the pulpit. "Where are the good preachers?" asks Fant. "Right where they...