Word: 1a
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...objection which the Fine Arts department has raised against this change, that the new courses would compete with the old 1a and 1b on the history of architecture, now prerequisite in the School of Architecture, is not insurmountable 1a and 1b are scarcely more detailed than 1d, and the proposed courses, although enlarged by two more arts in scope, might easily give a treatment of the history of architecture as adequate as that now offered. Moreover, requiring architecture men to learn the fundamentals of other arts as background would have a broadening effect. Fine Arts 1d might serve a useful...
Students anxious to retain in their minds the general reading knowledge of German which they may have gathered in German A or 1A will find their desires fulfilled in this course of German 2, in which the prep school style of conducting the class is offset by some rather valuable reading in Goethe, Schiller, Lessing, Thomas Mann, and other famous writers of past or present times...
...understanding and admiration of their greatness. In addition to copying one is also required to put into execution the principles of design and color which one has studied in theory in the lectures. Besides its value as a preparatory course for those who are going further in Fine Arts, 1a is the best of the introduction courses for those who only want to acquire an intelligent and critical attitude toward painting...
...certainly not be called interesting because of the class drudgery, nor on the other hand can it be called hard unless one finds German way over his head. No particular advance in the style of conducting the class or in the work chosen can be found over German 1A...
...summary: HARVARD BROWN England, g. g., Arnold David, pt. pt., Fraad Rogers, c.pt. c.pt., Allen Thorndike, 1d. 1d., Tuller Rabinovitz, 2d. 2d., Patton Housen, c. c., Elton Lessig, 2a. 2a., Merriam Graziano, 1a. 1a., Schneider Owens, o.h. o.h., Watson Tucker, l.h. l.h., Payne...