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...might talk about religious liberty in relation to sectarian schools. One might ask why President Conant denounces private secondary schools while still believing, presumably, that there is some excuse for Harvard, a private institution. In any event, the President's remarks ought to arouse debate. Charles M. Gray 1G...
Boston police are awaiting an autopsy report on George G. Woods 1G before beginning investigation of his fatal 11-story fall yesterday...
Four songs by Yehudi Wyner, 1G, received the most appreciative applause of the evening. Although Brownie, based on a poem by A. A. Milne, was described as being in a "lighter vein," it is in fact a graphic representation of a small child's momentary terror of the unknown. The composer tellingly recreates the image of the poem--a child's imaginary view of the sinister "Brownie," dispelled by the interjection of a companion--by a parallel tension and relaxation of the musical line. When You Are Old And Gray, based on a poem by Yeats, is a beautifully conceived...
John Davison, 1G, wrote his Violin Sonata in an appealing, pastoral style, strongly reminiscent of Vaughan Williams. The first three movements became slightly monotonous because of the similarity of their musical ideas, though this impression may be due to the uniformity of the tempi with which they were performed. In the fourth movement, Mr. Davison departs from his hitherto placid style and attempts, I think successfully, a more elaborate plan. Especially noteworthy are the many long, beautifully constructed melodies which appear in the course of this composition...
...compelling, tightly-kit Suite for two pianos by Edward Rickard, 1G, ended the program. While thoroughly at home in the musical language of America today, as examplified by Barber and Copland, Mr. Rickard avoids being merely imitative. His musical ideas are original and he expresses them in a carefully thought-out, effective manner. The Suite contains a wealth of ingenious rhythmic and structural patterns, yet their variety never endangers the unity of the work as a whole. The deeply-felt final adagio--rising to a loftier, more intense level of expression than any of the other movements--seemed...