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Jensen—who was a member of the faculty at HBS from 1985 to 2000??has authored more than 100 scientific papers, and written, co-written, or edited five different books. In 1973, Jensen co-founded the Journal of Financial Economics, and in 1994, he co-founded and eventually came to chair Social Science Electronic Publishing...

Author: By Tara W. Merrigan, CRIMSON STAFF WRITER | Title: HBS Professor Receives Award for Financial Economics Research | 1/8/2010 | See Source »

...they are called in the chat forums that accompany online games. And “donkeys.” Also, “suckers,” “muppets,” and “idiots.” By all accounts, “Darkhawk-2000?? qualifies as none of these. But that didn’t keep him from losing $8,000 in a single sitting one fateful night in the summer...

Author: By Esther I. Yi, CRIMSON STAFF WRITER | Title: Playing for Keeps | 10/22/2009 | See Source »

...artist’s and the scientist’s roles: as the artist appeals to reason, the scientist to emotion and narrative.This conflation of the sciences and the humanities is perhaps the most identifiable characteristic about Powers’s work, be it via virtual reality in 2000??s “Plowing the Dark” or artificial intelligence in 1995’s “Galatea 2.2.” He succeeds again in “Generosity,” his tenth novel, this time in bringing contemporary science into the dramatic foreground...

Author: By Adam L. Palay, CONTRIBUTING WRITER | Title: Acclaimed Novelist Powers Perfects His Aesthetic | 9/25/2009 | See Source »

...future. As the only major survivor of Seattle grunge and 90s mainstream rock to resist implosion, the band, still based in Seattle after all these years, appeared anachronistic, past-it, irrelevant. Beginning with 1996’s “No Code,” and most noticeably with 2000??s “Binaural” and 2003’s “Riot Act,” Pearl Jam produced minor, experimental records, collections of songs in different genres rather than coherent albums. Worst of all, these albums visibly lacked ambition, an inexcusable failing...

Author: By Keshava D. Guha, CRIMSON STAFF WRITER | Title: Pearl Jam | 9/25/2009 | See Source »

...into hip-hop and R&B with her 2003 album “Loose,” Furtado returns to pop with varying Latin styles, creating a record of intoxicating melodies. With her breakout hit “I’m Like a Bird,” off 2000??s Grammy-winning “Whoa, Nelly!,” Furtado likely could have developed her career solely around her vocal talent and pop style. But in 2003, Furtado chose to abandon pop in favor of less radio-friendly folk music on the tepidly received...

Author: By Giaynel P. Cordero taveras, CONTRIBUTING WRITER | Title: Nelly Furtado | 9/18/2009 | See Source »

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