Word: 2002ã
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...early 1980s, after sustaining chronic injuries to his hands due to an aggressive playing style and taking a brief hiatus, Kottke reinvented his technique and returned to the guitar. Since then, his two most high-profile recordings have been collaborations with Phish bassist Mike Gordon—2002??s “Clone” and 2005’s “Sixty Six Steps.”The man’s talent as a performer, especially in light of his age—he’s in his 60s—and his history...
...words, “This is the story of one filmmaker’s failed attempt to turn things around” appear onscreen. Yet the documentary loses direction with startling celerity. Gone is the Michael Moore who sharply analyzed America’s gun culture in 2002??s “Bowling for Columbine.” In his stead is a veritable egomaniac, feeding off fans’ effusive praise. In an early sequence, Moore uses footage of women screaming wildly for him; a few scenes later, he proudly tells a crowd...
...fall into the hands of extremists the moment he leaves. Musharraf pretends that he is the only hope for the US in Pakistan. Closer analysis, however, suggests that his claims are far from true. In the 2008 elections—which were much freer and fairer than those of 2002??only 6 seats went to the Islamists. In addition, a secular party won the majority of seats from the North-West Frontier Province where the War on Terror is actually taking place. These results prove that the people of Pakistan are against religious fundamentalism, something...
...tracks that suffers from an inability to tastefully handle any song that isn’t about thuggin’, a condition known as Ja-Rule-featuring-Ashanti Syndrome, or JRFAS for short. Perhaps he’s trying to recapture the success of his only true breakout track, 2002??s “Are We Cuttin’.” Problem is, that song wasn’t really all that good to begin with, and Pastor Troy is better off staying true to his hardcore roots. “Well, I’m Pastor...
...were frequently accompanied by an overwhelming low-fidelity hiss, courtesy of the cheap Panasonic boom box with which Darnielle recorded for years. This is not to say that the aesthetic change is an abrupt one; Darnielle’s conversion from lo-fi god to studio craftsman began with 2002??s “Tallahassee,” which dispatched with the distinctive fuzz and grainy vocals completely. The switch to the studio ultimately proved that Darnielle’s songs didn’t rely on a gimmick, and could stand up in a high-fidelity context...