Word: 20s
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...most fussed-about young poet of the moment is Deborah Garrison, whose new collection, A Working Girl Can't Win, revolves around a quintessentially self-absorbed postfeminist. Again we get a picture of a career woman in her 20s who doesn't feel pretty enough and who fantasizes about life as a sexpot. "I'm never going to sleep/ with Martin Amis/ or anyone famous./ At twenty-one I scotched/my chance to be/one of the seductresses/of the century,/ a vamp on the rise through the ranks/ of literary Gods and military men,/ who wouldn't stop at the President...
...because of hormonal changes a very real threat to those in their 50s. Most men don't go to the bone-densitometry lab. I did so only because of the association between kidney stones and bone loss. Mild bone loss in both men and women begins in the late 20s. But with the onset of menopause, women begin losing 1% to 5% of bone mass each year...
Throughout the '20s, Chanel's social, sexual and professional progress continued, and her eminence grew to the status of legend. By the early '30s she'd been courted by Hollywood, gone and come back. She had almost married one of the richest men in Europe, the Duke of Westminster; when she didn't, her explanation was, "There have been several Duchesses of Westminster. There is only one Chanel." In fact, there were many Coco Chanels, just as her work had many phases and many styles, including Gypsy skirts, over-the-top fake jewelry and glittering evening wear--made of crystal...
...most celebrated English-language poet of the century--was born in St. Louis, Mo., to a businessman and a poet, Henry and Charlotte Eliot. Although young Tom was brilliantly educated in English and European literature and in Eastern and Western philosophy and religion, he fled--in his mid 20s--the career in philosophy awaiting him at Harvard, and moved to England. There he married (disastrously), met the entrepreneurial Ezra Pound and, while working at Lloyds Bank, brought out Prufrock and Other Observations. Five years later, after a nervous breakdown and a stay in a Swiss sanatorium in Lausanne, he published...
Graham was far from the first dancer to rip off her toe shoes and break with the rigid conventions of 19th century ballet. America in the 1910s and '20s was full of young women (modern dance in the beginning was very much a women's movement) with similar notions. But it was her homegrown technique--the fierce pelvic contractions, the rugged "floor work" that startled those who took for granted that real dancers soared through the air--that caught on, becoming the cornerstone of postwar modern dance. Merce Cunningham, Paul Taylor, Twyla Tharp, Mark Morris--all are Graham's children...