Word: 20s
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...just the superrich who are spending like drunken sailors. According to Marquis Jet CEO Bill Allard, his clientele extends beyond athletes and entertainers. "We have people in their 20s up into their 80s. We have people who haven't necessarily built up their nest eggs, and then we've got billionaires," he says. "When you look at the growth in luxury brands, first you have to look at the economy, and obviously it has really revived over the last year. But there is a premium in terms of quality of life. People are saying 'I've worked hard...
...Friday with her son Timur, 9, in the sweltering gym of Beslan school No. 1. The hostage nightmare was into its third day: many children had stripped to their underwear, some fainted from thirst, and others drank their urine. The 16 guerrillas Kasumova could see, mostly Chechens in their 20s, were by now tired and tense. The ceiling beams were draped with bombs. Some were hanging so low that the taller women banged their heads on them as they went to the toilet. From the bombs came tangled wires snaking through the tight rows of children and connected...
...nearly $140,000, and the book is being rushed into U.K. stores in September. Publishers in the U.S., France and Germany have anted up for their own editions. Movie rights have been sold. This success story is all absolutely true, except that Paul West is not in his 20s, did not arrive in Paris two years ago, launch any tea rooms or keep a diary. Oh, and he isn't Paul West. His real name is Stephen Clarke, and he's a 45-year-old Oxford-educated Briton who works as an editor in Paris and has lived there...
...Although the three legends had distinct styles, each trained his lens on the daily life of the everyday man caught in a society in flux. For Evans, this led him toward the picturesque but poor side of a restive Havana in 1933, as well as late-'20s New York City. Though the city was booming, Evans was filled with ambivalence about a metropolis where billboards and skyscrapers jarred with the lowlife of the city's drifters. Torn Movie Poster, for example, captures Evans' wider sense of national doom: a mass-produced image tarnished with decay. The exhibition also shows...
...Alvarez Bravo, it was Mexico City's postrevolution population boom in the '20s that afforded perfectly constructed images of street life, or what the photographer dubbed the "food for my camera." The ordinary soon became the fantastic, as Alvarez Bravo drew reverie from his subjects. He captured the pensive young girl on a balcony in The Daydream, a picture of longing, with the ray of sunlight brushing her shoulder as if singling her out. And Alvarez Bravo even managed to instill life into still life: in Laughing Mannequins, glamorous cardboard women appear smiling, while it's the real people...