Word: 20th
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Dates: during 1980-1989
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...Shock of the New (PBS). A spirited tour, in an eight-part series, by TIME Art Critic Robert Hughes through the art and architecture of that most difficult of all centuries, the 20th...
...that analysis of Gaddafi is sound, the desert denizen who sees himself as the slighted messiah of a scorned nation may have launched a frightful new era in modern-day terrorism. To be sure, the 20th century does not lack for examples of political murder. But the threat of assassination of a head of government may now have been elevated by Gaddafi, in an era of worldwide terrorism, to a conscious act of statecraft by a sovereign nation. "For years after World War II, heads of state were considered off-limits to assassination teams," observes Paul Wilkinson, professor of international...
...other major modern painter has less to tell us about the tensions of history and the facts of the 20th century than Giorgio Morandi; none, except Matisse, retired more completely from the "confrontational" role expected of the avantgarde. Today Morandi's renunciation of the art world as a system seems noble, exemplary and perhaps inimitable. He disdained all ambitions that could not be internalized, as pictorial language, within his art. This earned him the reputation in some quarters of a petit maítre: a man who, though he said it very well had only one limited thing...
...while engaging in some erotic byplay with a cigar, thrusting it into Don José's mouth at the words "L'amour, I 'amour. " In its total bleakness this is Carmen seen by a man familiar with Alban Berg's operas Wozzeck and Lulu, twin 20th century masterpieces of love, alienation and despair. The production also reflects Brook's distaste for conventional Bizet, which goes back to the time, 30 years ago, when he was production chief at London's Royal Opera House. "I looked with horror at how it was being presented...
...greatness, an impossible ideal, a reconciler of a thousand contradictions, a Swiftian kick in the pants. Director Arthur Penn is fascinated with America too, but critically. He has upended myths of the Old West (The Left-Handed Gun, Little Big Man) and found desperate excitement on the fringes of 20th century Americana (Bonnie and Clyde, Alice's Restaurant). As collaborators, these two artists might produce high-arcing dramatic sparks, or maybe just rub each other the wrong way. In Four Friends, a picaresque panorama of life in the turbulent 1960s, they seem to have done a little of both...