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Word: 20th (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

...fact, Cameron and the idea, then known as Alien II, met when both were more or less unloved orphans in the industry. The 1979 Alien had turned a good profit for 20th Century-Fox, but not enough to create a compelling desire among the studio's management for a sequel. In any event, various alien life- forms kept coming and going in the executive suite. Some loved the "concept" while others deplored it, citing declining grosses for horror films...

Author: /time Magazine | Title: Cinema: Help! They're Back! | 7/28/1986 | See Source »

Neither as chic as Paris nor as intriguingly edgy as Budapest, the Vienna of today is a cozy and polished metropolis. But at the beginning of the 20th century, Vienna was chockablock with giants of the age: Freud and Wittgenstein, Mahler, Berg and Schoenberg, Klimt, Schiele, Kokoschka, Hoffmann, Wagner and Loos -- as well as the young Adolf Hitler, a desperate artist-architect manque. Old cultural dogmas had been discredited, new doctrines not yet entrenched. Imminence was all. Artists and intellectuals all over Europe shared a sense of being on the very cusp -- between a smug century...

Author: /time Magazine | Title: Art: Gleams From a Gorgeous Twilight ! | 7/21/1986 | See Source »

...with the opening of "Vienna 1900: Art, Architecture and Design," a dense display of objects at New York City's Museum of Modern Art, the revised revisionism is official: the arts and crafts of early 20th century Vienna may have been idiosyncratic and lush, but they are products of the modern sensibility. MOMA's entire ground floor has been given over to the exhibit, which consists of 700 works produced between 1898 and 1918. The show, which derives from more expansive exhibits seen in Vienna and Paris over the past two years, will be on view until...

Author: /time Magazine | Title: Art: Gleams From a Gorgeous Twilight ! | 7/21/1986 | See Source »

...urban subculture of coffeehouse-and-cabaret cosmopolites. Adolf Loos' lithe, sensual sidechair for his Cafe Museum (1899) makes its Thonet bentwood forebears look dowdy by comparison. Loos' nemesis Hoffmann, though, was the absolute master of furniture and domestic objects. No one has designed handsomer seating in the 20th century. His best-known and most widely copied chair was designed for the Kabarett Fledermaus (1907), a club by and for the avant-garde. The regularity of its limbs and parts is strict, but as with all the best Wiener Werkstatte work, severity is not carried too far. Six wood spheres, billiard...

Author: /time Magazine | Title: Art: Gleams From a Gorgeous Twilight ! | 7/21/1986 | See Source »

...greatest hits of the 18th century, Jean-Philippe Rameau's Les Fetes d'Hebe proclaims the potency of poetry, music and dance in the highly ornamented, graciously stylized cadences of the French baroque. But can such a gentle artifice still speak to the brutal and cynical 20th century...

Author: /time Magazine | Title: Music: From the 18th Century Hit Parade | 7/14/1986 | See Source »

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