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Word: 20th (lookup in dictionary) (lookup stats)
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...section, now in its 20th year, championed prime work from Tsui Hark, the Hong Kong action master. The gaudily talented, impossibly prolific Takashi Miike got his start here and soon became a Madness regular. One of the highlights of TIFF 2007 is Miike's Sukiyaki Western Django, a shotgun-vs.-sword sagebrush pastiche in which all the actors speak phonetic English - except for Quentin Tarantino, in a succulent cameo role...

Author: /time Magazine | Title: The Freaks Come Out at Night | 9/12/2007 | See Source »

...team faltered in B-division, however, as two juniors, skipper Jon Garrity and crew Lauren Brants, sailed to a 20th-place finish...

Author: By Malcom A. Glenn, CRIMSON STAFF WRITER | Title: Sailors Start Season in Fine Form | 9/10/2007 | See Source »

...sophomore Robert Kenney finished 10th, leading the Crimson in 27:18 on an eight-kilometer course. The next five finishers were all freshmen, including Matthew Dewey—who finished 11th in 27:19—19th-place Daniel Emont, and 20th-place Mark Hirschboek. Brown and Marist each finished ahead of the men, leaving them...

Author: By Brad Hinshelwood, CRIMSON STAFF WRITER | Title: SPORTS BRIEF: Cross Country Youth Competes at BU Quad Meet | 9/10/2007 | See Source »

Rancher Dan Evans (Christian Bale) may live in 19th century Arizona, but he's leading a 20th century - or sub-prime - sort of life. He's behind on his mortgage payments to the big landowner, who wants the property back in order to sell it on the Internet - oops, sorry, to the railroad. Dan's cattle herd is also dwindling, one of his kids is sick and the other thinks he's a coward. Even his patient wife is beginning to eye him dubiously. You really don't want to walk in Dan's shoes...

Author: /time Magazine | Title: The Perfect Time for 3:10 to Yuma | 9/7/2007 | See Source »

...Pavarotti was unquestionably the most celebrated and most exciting tenor in the second half of the 20th century. Was he also the best? Here a definition of terms is in order. Some tenors ranged more widely through the repertory. Pavarotti concentrated on the classic lyric roles in such works as La Boheme, La Traviata and Madame Butterfly, and in later decades, when his voice turned darker, added more forceful roles like those in Tosca and Un Ballo in Maschera; but he rarely ventured into ruggedly dramatic territory, and almost never sang in any language but Italian...

Author: /time Magazine | Title: Pavarotti: A Voice for the Ages | 9/6/2007 | See Source »

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