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...beginning of his career: in 1929 the avant-gardist critic Efstratios Teriade complained that Dali's talent was "the precise opposite of those qualities which make a painter." But without the power granted by illusion to overturn our sense of the world's plain factuality, his contribution to 20th century culture would have been slight...

Author: /time Magazine | Title: Art: The Two Faces Of Dali | 3/13/2000 | See Source »

...describe a world where...reason no longer always seems right." Cinema "encourages us to think in a dreamlike way...[it] slowly but surely filters the most basic of doubts throughout society: that of questioning the value of absolutes." Dali collaborated with Bunuel on two of the underground classics of 20th century film, Un Chien Andalou (An Andalusian Dog) and L'Age d'Or (The Golden Age); he was closer to cinema than any other painter of his day, partly because he was obsessed by the power of cinema to make dreams immediate...

Author: /time Magazine | Title: Art: The Two Faces Of Dali | 3/13/2000 | See Source »

...detached retina, the sharpshooting 6'7 forward appeared in 16 games this season and averaged 16.8 points and 5.6 rebounds per game. The 1997-98 Rookie of the Year, Clemente will begin next year's season with 997 career points, needing only three more to become Harvard's 20th 1,000-point scorer...

Author: By Cathy Tran, CRIMSON STAFF WRITER | Title: Six Players Win All-Ivy Honors | 3/10/2000 | See Source »

...certainly one of the greatest. On paper, he is a five-time winner of the Norris Trophy as the league's top defenseman and holds the record for most regular-season goals among defensemen in NHL history. The Associated Press ranked Bourque the 10th best hockey player of the 20th century...

Author: By The CRIMSON Staff, | Title: We'll Miss You, Ray | 3/8/2000 | See Source »

...hungry for accessible yet challenging new scores. Liebermann, Daniel Asia, Jorge Martin, Paul Moravec and George Tsontakis were among the first younger composers to snub its stuttering chatter in favor of a full-blooded style that is at once unmistakably contemporary (Liebermann, for instance, was influenced by the great 20th century Russian symphonist Dmitri Shostakovich) and rooted in the techniques of the past...

Author: /time Magazine | Title: Music: Back to The Future | 3/6/2000 | See Source »

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