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...generally have to do with civic decor, of which the big sculpture raised in the '80s in the Parc de l'Escorxador in Barcelona is probably the best. But this takes nothing away from the brilliance, even the genius, of his earlier work -- especially in the '20s and '30s, when he was in Paris and making the finest paintings associated with the Surrealist movement. Miro always used to be referred to as ''the great Spanish artist,'' which is technically true but culturally wrong. He was a Catalan artist, and the difference -- as anyone who knows Catalans will know -- mattered greatly...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...without him? -- and yet it never lost its sense of wonder at the world or ceased to anchor itself in sharp little signs and pictographs denoting the specific. Its utter conviction is furthered by Miro's resort to painstaking, almost old-masterly construction and technical effects: in the mid-'30s he produced a series of tiny oils on copper, such as Man and Woman in Front of a Pile of Excrement, 1935, in which grotesqueness and scatology collide with an enameler's decorative sense. The climax of Miro's talent for oscillating between the general and the particular...

Author: /time Magazine | Title: THE PUREST DREAMER IN PARIS | 7/21/2008 | See Source »

...Pope who had under-30s shouting and weeping for joy is a firm traditionalist who opposes what he calls "the dictatorship of relativism... whose ultimate goal consists solely of one's own ego and desires." At the climactic Mass Sunday morning, he told 300,000 worshipers that the modern world too often marginalized God. The Church "needs your faith, your idealism and your generosity," he said. "Do not be afraid to say yes to Jesus, to find your joy in doing his will, giving yourself completely to the pursuit of holiness, and using all your talents in the service...

Author: /time Magazine | Title: The Pope's Pilgrims Sway Australia | 7/20/2008 | See Source »

...other axiom 300 proved to Hollywood is one the comics industry has known for decades: "The audience for comic-book movies is overweight guys in their mid-30s," says director, comic-book-store owner and overweight guy in his late 30s Kevin Smith. Actually, the average age of a comic-book buyer is 23, but Smith's point--that there are fans aplenty to support R-rated comics franchises--has been digested. Even PG-13 comic-book movies are maturing. Batman keeps getting darker scripts, like Nolan's The Dark Knight, starring Christian Bale and Heath Ledger (in his haunting...

Author: /time Magazine | Title: Graphic Novels are Hollywood's Newest Gold Mine | 6/19/2008 | See Source »

...Before Winston, there were two masters of horror makeup who names are so ordinary, they could be scrawled in a motel register by a teen seeking furtive sex: Jack Pierce and Dick Smith. Pierce, during his time at Universal Pictures in the 30s and 40s, created the studio's entire monster menagerie: Boris Karloff's Frankenstein and the Mummy, Bela Lugosi's Dracula, Lon Chaney Jr.'s Wolf Man, Claude Rains' Phantom of the Opera...

Author: /time Magazine | Title: Stan Winston: Monster Magician | 6/16/2008 | See Source »

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