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Word: 34th (lookup in dictionary) (lookup stats)
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...then 1 min. 22.6 sec., then 1 min. 22.4 sec.-each split second pushing him closer to the limit of adhesion. In Moss's pit, dockers exchanged glances, and tension killed conversation. Murmured a mechanic, "He's pushing it." Past the Limit. On the 34th lap, Moss clipped his time to 1 min. 22.2 sec., flashing around the narrow, twisting course at a fantastic average speed of 105 m.p.h...

Author: /time Magazine | Title: Sport: A Bloody Go | 5/4/1962 | See Source »

...Casbah, an area extending from 34th to 42nd Street between Eight and Eleventh Avenues, offers an unusual selection of Arab, Lebonese and Greek nightspots. Most of these have either a minimum or cover charge, but for a little more than a dollar you can sit at the bar of the Egyptian Gardens or the Port Said, sip ritsina and contemplate dancers through a thick veil cigarette smoke...

Author: NO WRITER ATTRIBUTED | Title: A New York Guide | 11/17/1961 | See Source »

Natalie did not reach the top rung in one leap: she has been in films for nearly 20 years. Most of her credits are best forgotten, but there were enough big hits -Miracle on 34th Street, Rebel Without a Cause, Marjorie Morningstar-to keep her career moving upward. It began in Santa Rosa, Calif., when four-year-old Natalie-then Natasha Gurdin-went with her Russian-immigrant mother to watch the filming of Happyland. Even then she was a raving beauty, and Director Irving Pichel plucked her out of the crowd to give her a bit part. In her next...

Author: /time Magazine | Title: Hollywood: Up from Happyland | 9/22/1961 | See Source »

Died. Valentine Davies, 55, movie director and writer (The Benny Goodman Story, It Happens Every Spring), who won a 1947 "original story" Oscar for his novel. Miracle on 34th Street, last September became president of the Academy of Motion Picture Arts and Sciences; of a heart attack; in Malibu, Calif...

Author: /time Magazine | Title: Milestones: Aug. 4, 1961 | 8/4/1961 | See Source »

...from contemporary experimentation, it wanders among neoclassical revivals, folk song arrangements, and patriotic hymning. The program of the Choral Society and the Glee Club set high standards of taste for the moderns to match when they opened with Thomas Tallis's Lamentations of Jeremiah and Heinrich Schutz's 34th Psalm; three contemporary madrigals and Stravinsky's Oedipus Rex met them generally well, but Roger Sessions's Turn, O Libertad...

Author: By William A. Weber, | Title: Glee Club and Choral Society | 4/29/1961 | See Source »

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