Word: 35mm
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Dates: during 1960-1969
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...hope of seeing the complete 40 reels someday--prints have been said to exist in secret vaults from New Mexico to Denmark. And Greed is only one of 250 films on the American Film Institute's "preliminary rescue list" of films which do not exist in America on 35mm acetate stock...
...Ford foundation, and the Motion Picture Association, is bringing it all back home. As archive director, Kahlenberg ferrets out American films of artistic and historical value that have disappeared for one or another reason. Some have vanished (like Hawks' Scarface, produced by the ubiquitous Howard Hughes, and all 35mm prints of Ford's Stagecoach) and the problem is one of location; others, like whatever remains of Stroheim's original cut of Greed, are in serious danger of destruction by decay. Until the last decade, film was made from a nitrate base, both flammable and subject to erosion. The film archivist...
...drugs and liquor. Backed by a family fortune which had previously sustained his drug habit, Rooks cast himself in the lead part (giving himself a pseudonym, Russell Harwick), and went to work in 16mm, deciding 6 months later to do it up proud and shoot professionally in 35mm. Only a few of the original shots remain, indicated by a black strip of masking on screen right-or-left revealing that the 16mm frame was blown up double to 32 mm, still not quite filling the 35mm frame...
HITCHCOCK: First of all, we have to explain the perspective of various lenses. In other words, when you look through the finder of a 50mm lens --a two-inch lens -- you see the perspective as roughly normal, as the eye sees it. Now the moment you go to a 35mm lens, the perspective begins to change, to elongate. Then you go to a 28mm. In other words, the wider the angle of lens, the more forced the perspective becomes...