Word: 35mm
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...talkin’ to me?” Martin Scorsese’s gritty and intense 1976 classic comes to the Brattle this weekend in a new 35mm print, promising audiences a speckle-free view of Robert DeNiro’s angry, mohawk-topped visage. DeNiro is an alienated and violence-prone New York City cabbie who takes out his rage at society with extreme prejudice. The film won Scorsese the Palme d’Or at Cannes, and features Jodie Foster as a 12-year-old prostitute. 2:45 and 7:15 p.m. Sunday and Monday. $8.50, $7.50 before...
...discuss his career with MIT literature and film professor Paul Thorburn. Prior to the discussion, the Brattle will screen Willis’ favorite film from his career. What might it be? All the President’s Men? Annie Hall? Nope, it’ll be a new 35mm print of Klute, a forgotten 1971 Jane Fonda-Donald Sutherland crime thriller that won Fonda an Oscar for her role as a hooker. Thursday, April 17 at 7:30 p.m. Tickets $12, $10 members. Brattle Theatre, 40 Brattle...
Armed with another HCRP grant and a 35mm camera, Tim A. Szetela ’03, who is also a Crimson editor, spent his summer “brainstorming” for an animation thesis. He ventured to the ends of the Blue and Red lines and back photographing patterns and forms on both constructed and natural surfaces. The resulting 35-photo, untitled composition includes shots ranging from the hard-packed sand at Revere Beach to the gritty sidewalks of Cambridge in neutral colors and close-ups that force the viewer to consider what each is and how it adds...
...Sweet Smell" has to be seen as well as heard, and the place to do that right now is at Manhattan's Film Forum, where a splendid new 35mm print is unspooling through March 28. The big screen and clear print lets you see the pockmarks on J.J.'s skin (the harsh lighting that cinematographer James Wong Howe threw on Lancaster makes him look by turns reptilian and leprous), allows you to read the small print on the cover of a scandal magazine called Sensation (the lead story: "Sex in the City"). But the picture looks good in any size...
...35mm Shorts program, which opened the festival Tuesday night at the Fenway Theater, was a typically mixed bag. Its indisputable highlight was Heart of the World, Guy Maddin’s glorious take on early Russian melodrama that won the award for Best Experimental Film from the National Society of Film Critics last month. As Maddin cuts from one shot to the next with uninterrupted speed, the film feeds the viewer a surprisingly satisfying plethora of visual information and symbolic imagery; you’d think that the quantity would smother your mind, but the film’s tried...