Word: 42nd
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Dates: during 1980-1989
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Those were the good old days. Tourists and all kinds of New Yorkers still come to the boulevards and side streets, and the Broadway theater still has its headquarters in the half-mile strip north of 42nd Street. With its theaters, odd shops and even odder people, Times Square remains a singularly exciting place. But the balance between high life and low life did tip for the worse during the 1960s and '70s. Pornography merchants proliferated, and street criminals grew more brazen. Funk and festivity were too often edged out by rattiness and fear...
...special is about to be denuded, the scores of small, old, higgledy-piggledy buildings replaced by a dozen shiny towers. Two weeks ago, the state gave approval to leases for four big, bulky skyscrapers designed by Philip Johnson and John Burgee, part of a $2.6 billion plan to redevelop 42nd Street. A few blocks away, on the northern side of Times Square, demolition is nearly complete on half a dozen other high-rise sites. Says Vincent Tese, the head of New York State's Urban Development Corporation and the man in charge of the ambitious plan: "The dream is about...
...most problematic part of the Times Square redevelopment plan is the Johnson-Burgee complex, which will straddle the confluence of 42nd Street, Broadway and Seventh Avenue. The planned buildings are of varying heights (29, 37, 49 and 56 stories) but otherwise identical: grand colonnades, red and pink granite, glass mansard roofs. These will be hulking structures, with more than twice the square footage of the area's current most egregious behemoth: John Portman's 50-story Marriott Marquis hotel a few blocks up Broadway...
Gorbachev made the upbeat statement in an article published in conjunction with the opening of the 42nd session of the United Nations. It was released shortly after midnight yesterday as Shultz and Shevardnadze met to work out the details of an arms treaty...
...With 42nd Street the failing is plainer. Except for David Brummel as the veteran musical-comedy director and Linda Griffin as the snappy chorine Anytime Annie, nobody in the company can act. The book has always been silly and illogical, and requires high style to bring off its camp excesses. Most at sea is Gina Trano as the kid from the chorus who replaces the injured star. Although she manages a lovely awakening into competence during the course of the musical-within-a-musical, there is nothing special about her in the earlier scenes to justify everyone's much voiced...