Word: 42nd
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Producers have always dreamed of long runs, but the semieternal run is a phenomenon of recent years. The four most enduring Broadway shows -- A Chorus Line (6,137 performances), the revival of Oh! Calcutta! (5,959), Cats (3,709 through last week) and 42nd Street (3,486) -- attained all or most of their runs during the '80s. If Mackintosh's projections prove right (and others in the industry believe they will), Les Miz and Phantom will outstrip Hello, Dolly! and My Fair Lady for the ninth and 10th spots among all-time long- runners...
...surprised even herself when she placed third at ECAC's and qualified for the nationals again. Jones had hoped to place in the top 10 at nationals, but the tendenitis got the best of her, and she finished a disappointing 42nd. One of the women she had beaten in the ECAC meet finished 11th...
...final jingle of change through the slot above the lion-head spout served a cup of coffee for eternity. Last week Horn & Hardart closed the nation's last surviving Automat, on New York City's 42nd Street, two blocks east of Grand Central station. First opened in 1912, the cafeterias served 400,000 customers a day at their peak in the early 1950s. Famous actresses, well-heeled businessmen and just plain folks plunked their coins into glass-and-chrome dispensers to feast on such fare as Boston baked beans, macaroni and cheese and coconut-custard...
...hundreds of thousands of New Yorkers remain loyal to the sassy Daily News, which over the years has been celebrated in song (by Frank Loesser and Phil Ochs, among others) and screenplay (its Art Deco building on Manhattan's 42nd Street was reporter Clark Kent's workplace in the Superman movies). For the tabloid's fans, Maxwell's moxie may prove congenial. He has shown a shrewd feel for the city's odd blend of worldliness and parochialism. Playing to Manhattanites' penchant for embracing almost any outsider who professes himself instantly smitten with their metropolis, Maxwell arrived by yacht...
...final production by legendary impresario David Merrick, 77. When his previous big hit, 42nd Street, was ending its nine-year run, Merrick talked of revamping the show with an all-black cast. In effect, he has carried the same idea over into Oh, Kay!, which shares with 42nd Street a show-business setting, a romance across class lines, a vintage score, a romanticized Art Deco vision of Manhattan and an abundance of tap dancing -- plus, alas, an irredeemably corny plot and some less than inspired clowning...