Word: 50s
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...shades. A bit impractical for the average traveler, white reinforced the air of luxury possessed by Valextra. In 1954 the company won the prestigious Compasso d'Oro design award for its 24 ore bag, a briefcase roomy enough to fit a change of clothes. On a roll through the '50s and '60s?when a Kuwaiti emir ordered 14 full sets of luggage?the company stalled after Fontana left in the late '70s. Passing under several sets of new owners, Valextra languished as workmanship diminished, until 2003 when new owners began a return to the company's roots. It lured back...
...Sorry, but those special glasses are mandatory. Back in the ?50s, when Hollywood made a couple dozen 3-D movies, skeptics said that kids would never go for the cellophane and cardboard polarized glasses (one eye with a red filter, one with a green), because they knew that bullies laid the "four eyes" taunt on the visually impaired. Glasses over your glasses would make you "six eyes." The 3-D fad died out in a few years, but it took ages for the technology to improve. As recently as 2005, those same cheesy specs were handed out at screenings...
...Dead. The first of his 10 novels and more than two dozen other titles, it became a huge best seller. But fame soon turned fickle on him, or maybe vice versa. Mailer was too flighty, impious and vainglorious to fill the role of anointed American writer as the '50s conceived it, so for a while his reputation dimmed. But in the decades that followed, he hit his powerful stride with a new kind of metaphysical journalism and The Armies of the Night, his brilliant, Pulitzer Prize-winning "nonfiction novel" about the October 1967 antiwar march on the Pentagon. These were...
...friend who sent Coppola encouraging notes on his Megalopolis script was Wendy Doniger, the first girl he had ever kissed and the one who gave him On the Road when they were students at Great Neck High School in Long Island, New York, in the '50s. (Coppola has optioned the book.) He flew his private plane to Chicago to pick up Doniger, now a University of Chicago professor of Hinduism and comparative mythology, and bring her back to Napa to discuss her ideas with him and his wife Eleanor. Over the house wine and Coppola's cooking, they talked about...
...ahead. He'll shoot the film in the same guerrilla style as Youth. As Coppola starts describing the Dodge Sprinter, already on its way to Argentina, a pretty, sixtysomething woman approaches his table and tells the director she knew him from Long Island's Point Lookout Beach in the '50s. "Did we know each other then?" he asks, trying to remember. "You were beautiful, and I was the schlumpy kid. You didn't pay attention to me. How are we gonna go back and recapture those moments...