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Sidney Bechet (pronounced Be-shay), who looks like a sleepy Pullman porter, has been talking through a clarinet for more than 40 years. Last week, in a smoky joint called Jimmy Ryan's on Manhattan's brassy 52nd Street, Sidney was proving again that he is the best Dixieland two-beat jazzman anywhere on clarinet or soprano saxophone (which looks like an oversize clarinet...

Author: /time Magazine | Title: Music: That Old Feeling | 3/31/1947 | See Source »

Jazz Concert at Eddie Condon's (Decca, 8 sides) New 52nd Street Jazz (Victor, 8 sides). Condon's old guard (Max Kaminsky, Billy Butterfield, Pee Wee Russell and others) doggedly play The Sheik of Araby, Atlanta Blues, etc., Chicago style, circa 1928. The initiated will prefer it to Dizzy Gillespie's "bebopping" in the 52nd Street album...

Author: /time Magazine | Title: Music: New Records, Jan. 13, 1947 | 1/13/1947 | See Source »

...foot of 52nd Street, where the Dead End Kids of Sidney Kingsley's play once hung out, is the palatial River House (duplexes and triplexes at $4,500 to $12,000). Among the well-heeled tenants: Atlas Corp.'s Floyd Odium and his wife, Jacqueline Cochran; newswriter and lecturer Quentin Reynolds. On nearby Sutton Place lives Heiress Anne Morgan...

Author: /time Magazine | Title: STATES & CITIES: First Avenue, New York | 12/23/1946 | See Source »

Never had Manhattan's tawdry 52nd Street, "Swing Alley," been so loud with such brassy bad taste. Eager visitors to the former Main Line of American jazz stood uncertainly before the cellar joints housed in lugubrious brownstones, read the screaming poster promises of the "terrific" stuff inside, but usually hurried on when they heard the noise coming out the door. There were a few familiar names-"Hot Lips" Page, Maxine Sullivan, Georg Brunis-but few fresh performances. The street was full of has-beens and never-wases. It took a tin-eared hepcat to stand it. But last week...

Author: /time Magazine | Title: Music: Fresh Air on 52nd Street | 10/28/1946 | See Source »

Some of the greats of yesterday and the day before are still going strong. Among them: buxom Mildred (Rockin' Chair) Bailey, the best "white gal" blues singer of her time; contralto Connee Boswell; satin-voiced Maxine Sullivan; and the unhappy queen of the 52nd Street honky tonks, Billie (Strange Fruit) Holiday. Most of them have been around long enough to see several debutante classes come...

Author: /time Magazine | Title: Music: Girlish Voice | 7/1/1946 | See Source »

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