Word: 53rd
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Dates: during 1980-1989
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...Dogs came out aggressively in the earlier minutes of the second half, creating a number of chances from the 45th to the 53rd minutes, but Ginsburg and the Crimson back four of Frank DiFalco, Ian Hardington, Mark Pepper, and Matt Cameron were able to keep the ball out of the net and, as time went on, to frustrate Yale's chances...
...prestige conferred by its venture, NBC expected only modest commercial returns, and it was right. Preliminary ratings indicated that the reports at most marginally increased the newscasts' viewership. Kalb's documentary finished 53rd among that week's 57 prime-time shows. Nonetheless, NBC News President Lawrence Grossman summed up the venture as a success: "Even questions the Soviets wouldn't answer were revealing, and we were surprised by how much access we had." -By William A. Henry...
Although the play became more and more concentrated in the Crimson half of the pitch, Harvard did come close in the 53rd, the 57th and the 68th minutes, when Lion 'keeper Jeff Micheli saved from Catliff with panther-like quickness, often from point-blank range...
...last Friday, the "month of the red eyes" was drawing to its long-prayed-for close on Manhattan's West 53rd Street. The sculpture garden was a wilderness. White birches, still in transplantation shock, were leafing out but not in time; stacks of unset paving stones lay everywhere, amid mounds of builders' sand and the plastic-swaddled silhouettes of old friends: Rodin's Balzac, the art nouveau subway entrance, a giant Claes Oldenburg mouse. All through April the museum's governing triumvirate, consisting of its director, Richard Oldenburg, its chairman, William S. Paley...
Radical though the changes have been, the word hardly applies to Pelli's design. When the original museum structure, by Philip Goodwin and Edward Durrell Stone, opened in 1939, the architectural tone of 53rd Street-and of midtown Manhattan in general-was set by brownstones, mansions and beaux-arts commercial buildings. It was a world of rich, plum-pudding surfaces. When MOMA raised its polemic International Style façade of glass and polished marble, with those futuristic Swiss-cheese holes in the roof canopy, it looked apparitional. But now the context has shifted again. Thanks to the competitive...