Word: 5th
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...thesis into focus, Dorothy Norman assembled photographs of more than 100 art objects -the Assyrian Gilgamesh strangling a lion in an 8th century B.C. bas-relief, an Egyptian sculpture of the god Horus with lion-hunting gear, Heracles struggling barehanded with the Nemean Lion, as shown on a 5th century B.C. Greek vase, the herdsman subduing the ox in the Zen Buddhist Ox-Herding Pictures, a Russian icon showing St. George and the dragon. Oldest examples of her theme are drawings from the Lascaux Cave in France, done more than 30,000 years ago; one of the most recent...
...20th century tomb excavations that provide some sense of the luxury and craftsmanship of the past, there are few remnants of Korean art. Out of the tombs have come such works as the stoneware Mounted Horseman, wearing a noble's peaked cap and leather armor of the 5th-6th century. Even more impressive is the antlerlike gold crown ornamented with jade found in a tomb of the Old Silla dynasty (57 B.C.-668 A.D.), whose hardy kingdom in Southeast Korea gradually extended its sway over the whole peninsula. With its similarity to the animal motifs of the Scythians...
...reached its peak in the 6th and 5th centuries B.C. when painters achieved such individuality of style that their work, though usually unsigned, is identifiable today. The painters are usually called by an object they may have painted well, like the Pig Painter, or after a city where one of their better works may be located, like the Berlin Painter, who did the red-figure amphora (opposite). But by the beginning of the 3rd century B.C., the art that had so deftly wedded form, decoration and utility died out and has never since been revived...
Another concert scheduled for next week is a piano recital by Luise Vosgerchian. This concert, third in the Summer School series, will be held Monday, August 5th at 8:30 P. M. in Paine Hall. It is open to the public without charge...
Chinese painters. For the great 5th century painter Hsieh Ho, this ability to capture ch'i, the quality of "spirit-resonance and life-movement," was the first principle of painting. The degree to which a painter succeeds in this aim is for Chinese the final criterion of his achievement...