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...involved in movies and television?). Dissatisfied with the increasing disconnect between the success of their work and the level of their pay, Holland-Dozier-Holland broke off from Motown. And while the Jackson 5 was on the rise, most of the rock-steady Motown acts of the early '60s were on the wane. In 1971, though, the label released what is arguably its grandest artistic statement, something not at all of a piece with its previous, poppy output. Marvin Gaye put out What's Going On, a thoughtful, socially conscious album whose title track Gordy famously called the worst song...

Author: /time Magazine | Title: Motown | 1/12/2009 | See Source »

...truly independent cinema. His 1958 A Movie (comprising 12 minutes of found footage subversively edited into a meditation on sex and death) and the 1962 Cosmic Ray (with a stripper dancing to Ray Charles' What'd I Say) birthed a subgenre of avant-garde films and inspired the '60s wave of multimedia art in concert halls and discos. (Conner also designed light shows at San Francisco's Avalon Ballroom.) Some of his films were more politically explicit - Report, on the Kennedy assassination, and Crossroads, on the A bomb - but all were things of beauty and horror. Conner is survived...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

...Some novelists and playwrights moonlighted in the movies. As a writer whose crime novels inspired a couple dozen movies (seven of them French), Donald Westlake, 76, could have retired with honors in the 60s, after Godard turned The Jugger into Made in USA and The Hunter became John Boorman's Point Blank. In the 70s he owned the comedy-caper genre, for what that's worth, with The Hot Rock, Bank Shot and Hot Stuff. He wrote scripts based on his own novels and those of other crime writers, incl. Jim Thompson's The Grifters (Oscar nomination) and Patricia Highsmith...

Author: /time Magazine | Title: Richard Corliss's 2008 Entertainment Death Reel | 1/10/2009 | See Source »

...illness. In the 1950s, an era of postwar trauma, nuclear fear and the self-medicating three-martini lunch, it was anxiety. (In 1956, 1 in 50 Americans was regularly taking mood-numbing tranquilizers like Miltown - a chemical blunderbuss compared with today's sleep aids and antianxiety meds.) During the '60s and '70s, an age of suspicion and Watergate, schizophrenics of the One Flew Over the Cuckoo's Nest sort captured the imagination - mental patients as paranoid heroes. Many mental institutions were emptied at the end of this period. In the '90s, after serotonin-manipulating drugs were released and so many...

Author: /time Magazine | Title: The Mystery of Borderline Personality Disorder | 1/8/2009 | See Source »

...citizen for the next 50 years, Lord willing. The programs we're voting on and the policies we're implementing are things my generation will be paying for for the next 50 years. So I look at it in a different light than somebody who may be in their 60s...

Author: /time Magazine | Title: The First Gen Y Congressman | 1/8/2009 | See Source »

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