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...have been around consistently since the beginning, goes under the handle NYCFan and has posted literally thousands of messages disparaging Yale and Princeton and defending Harvard’s excellence.Who are these people? It turns out, purportedly, that NYCFan is an alum from some time in the 70s. Why it is that he has nothing better to do than spend hours inflating Harvard’s image to a bunch of ego-conscious 17-year-olds is as much a mystery as why your author has taken the time to read it all, but he?...

Author: By Matthew A. Gline, CRIMSON STAFF WRITER | Title: Net Effects | 12/6/2005 | See Source »

...ironically, allowed to enter Israel in 1996 so he could go to the Gaza Strip for a P.L.O. meeting convened to rescind an article in its charter calling for Israel's eradication. Of the three terrorists who survived the airfield firefight, one died of heart failure in the '70s. Another, Jamal al Gashey, appeared in the 2000 documentary One Day in September. Last summer P.L.O. veteran Tawfiq Tirawi told Klein that the third, his friend Mohammed Safady, was "as alive...

Author: /time Magazine | Title: The Myths and Reality of Munich | 12/4/2005 | See Source »

...frames longer than necessary, suggesting the possibility of a menace that may be present. Near the movie's end, a casual pan along the Manhattan skyline reveals the World Trade Center buildings. Had to show them, the director says. They existed at a historical moment in the mid-'70s. But there is more than historical veracity at work in that shot. The Twin Towers are the symbols of our new age of high (and endless) anxiety. Maybe there is, as Spielberg insists, no resonance between the fate of the Towers' victims and the fate of a few athletes in long...

Author: /time Magazine | Title: Spielberg Takes On Terror | 12/4/2005 | See Source »

...speaking for the world, I mostly did love it. The Color Purple takes the seriousness of purpose that marked the signature musicals of the 70s, 80s and 90s (your Evita, your Les Miz, your Passion) and hitches it to the propulsive narrative zip of this decade's signature musical comedies (The Producers and its zany progeny). It's an epic, largely tragic tale that rarely dawdles or meanders. Terrible things happen: incest, abduction, the dankest, most intimate forms of betrayal. Yet they are presented with so much energy, in the narrative and the performances, that the effect can be exhilarating...

Author: /time Magazine | Title: The Color Oprah | 12/2/2005 | See Source »

...Burch first started cooking up the idea of a glamorous but affordable line of easy fashion in early 2003, she never dreamed it would become a runaway success. Now Burch, the mother of three boys and a fashion public relations veteran, cannot keep up with the demand for her'70s-style embroidered tunics and neo-geo print shirts. With three stores, a handbag line and an upcoming shoe line under her belt, Burch has unknowingly launched an empire...

Author: /time Magazine | Title: A to Z | 11/29/2005 | See Source »

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