Word: 74th
(lookup in dictionary)
(lookup stats)
Dates: during 1960-1969
Sort By: most recent first
(reverse)
ROBERT INDIANA-Stable, 33 East 74th. Like the young visionary Hart Crane, who saw the Brooklyn Bridge from his window 40 years ago and hymned it in verse, Robert Indiana, painter of the American Dream, sees the bridge every day from his studio. In homage to the poet he committed it to canvas in a four-faceted diamond filled with silver, singing girders. It is part of Indiana's American-dream theme, as are his Mother and Father Diptych showing his parents stepping into a Model T and his word columns-salvaged sailing-ship masts covered with typical Indiana...
ANDY WARHOL-Stable, 33 East 74th. "Paintings are too hard," Warhol once complained. "The things I want to show are mechanical." So he had someone make 500 wooden boxes for him; someone else made silk screens of the designs on the cardboard cartons that hold the products of Del Monte, Brillo, H. J. Heinz, Campbell's, Mott's and Kellogg's. Warhol himself, with help, squeegeed the color onto the boxes, wrapped them in brown paper to be carted to the gallery, and planned their arrangement in towering tiers. Lest viewers think it's just another...
RICHARD STANKIEWICZ-Stable, 33 East 74th. Dada takes the credit, but the ability to look at trash and find something of esthetic value begins with children. As a child, Stankiewicz played in a foundry dump; today he leads the sculptors who make assemblages of junk. Scavenging in scrapyards, rusting and welding the iron and steel he finds, he makes figures and abstractions. Says he: "I take something already degenerating, discarded, and then I make something beautiful of it. It should hit people over the head and make them ask, 'What is beauty?' " Through April...
MARISOL-Stable, 33 East 74th. Marisol's wooden oddballs have been alternately described as folk art, surrealist, Pop, even "poetic dislocations." Actually, these twelve new ones are simply the wackiest, wittiest mélanges on view anywhere. Through March...
...make nearly 75% of the floor space available for occupancy (in most tower buildings 52% is considered standard), he has divided the towers into three zones, separated at the 41st and 74th floors by "sky lobbies." A visitor who wants, for example, to go to the 90th floor takes an express elevator at a speed of more than 1,700 ft. per minute to the 74th floor sky lobby and transfers to a local that originates there. Each zone has banks of local elevators terminating at different levels; in this way the floor space directly above the truncated shafts...