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GEORGE RICKEY - Staempfli, 47 East 77th. Calder is not the only artist who keeps sculpture moving. Rickey and Bury (see below) are both kinetic craftsmen, and their galleries share the same floor...

Author: /time Magazine | Title: Art: UPTOWN: Oct. 23, 1964 | 10/23/1964 | See Source »

EUROPEAN MAINSTREAMS-Lefebre, 47 East 77th. A look at some of the major trends in European art today. Cobra Painters Corneille, Jorn and Alechinsky turn vivid hues and vivacious imaginations into Dutch gardens and smirking faces. Noel, Dahmen and Castel scratch calligraphy in mixed media to achieve image with script. Frenchmen Messagier and Tal-Coät recall nature's misty moods in abstract landscapes. Belgian Pol Bury puts chance to work in moving sculpture. Julius Bissier's refined watercolors and temperas round out the show. Through July...

Author: /time Magazine | Title: Art: Art in New York: Jun. 5, 1964 | 6/5/1964 | See Source »

MURIEL KALISH-Staempfli, 47 East 77th. New Yorker Muriel Kalish, 31, is a modern primitive painter, unschooled in art but gifted with a photographic memory. Her colors are happy, her composition curious, her intuition unerring in paintings furnished with wicker chairs, flowered wallpaper, braided rugs and, candid as can be, female nudes and fully dressed males. First showing. Through June...

Author: /time Magazine | Title: Art: Art in New York: Jun. 5, 1964 | 6/5/1964 | See Source »

BORIS MARGO-World House, 987 Madison Ave. at 77th. In Memoriam, one of Margo's "sculptured canvases," is a tall (eight-foot) tribute to President Kennedy. On canvas stretched over wood, the artist traced an elaborate calligraphy with sand. At first it seems to be Sanskrit, but on study English words emerge. Other pieces, of varying shape and material, employ other languages. Through June...

Author: /time Magazine | Title: Art: UPTOWN: may 22, 1964 | 5/22/1964 | See Source »

STEPHEN GREENE-Staempfli, 47 East 77th. "There is always something terrible happening in a beautiful world," says Greene. As a figurative painter he showed it by placing live bodies in coffins. Now he abstracts the figure, with a dismembered limb or an amorphous heap of flesh leaves only the sense of the human presence. Recent works, flooded with clear uncluttered color, and drawings. Through...

Author: /time Magazine | Title: Art: Art in New York: may 8, 1964 | 5/8/1964 | See Source »

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