Word: 77th
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PIERRE ALECHINSKY-Lefebre, 47 East 77th. Twenty-one turbulent oils and tortured ink-wash paintings by the most sharp-fanged member of the Cobra group. Haunted little faces stare from the inky spume, half-formed bird-creatures hide in the thickets of the oils. Through...
ENRICO DONATI-Staempfli, 47 East 77th. Slabs of textured pigment on canvas are built up out of what Donati calls "mixed media," and that can mean everything from sand to terra-cotta dust to ground marble. Twenty of his newest paintings...
PIERRE ALECHINSKY-Lefebre, 47 East 77th St. Twenty-one turbulent oils and tortured ink-wash paintings by the most sharp-fanged member of the Cobra group. Haunted little faces stare from the inky spume, half-formed bird-creatures hide in the thickets of the oils. Through...
MASAYUKI NAGARE-Staempfli, 47 East 77th St. The first U.S. exhibition of the massive abstract shapes of Japan's foremost sculptor (TIME, Sept. 20). Surfaces are apple-smooth or raw-rock broken; the urge to touch is irresistible and encouraged. Through...
ROBERT RAUSCHENBERG-Castelli, 4 East 77th St. Newest turn in the Pop cycle is the technique of enlarging colored photographs and transferring them to canvas by a silk-screen color separation process. Rauschenberg laces it all together with splotches of paint; the result is something like a battered billboard. Through...