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...image as the savior in his own quasi-religious faith.The album’s opener, “I Will See You in Far off Places,” starts with a banging rock opening that could be any number of bands from The Smith’s mid-80s heyday. But the lyrics immediately reveal Morrissey’s agenda to ponder the mysteries of life, not to simply entertain: “Nobody knows what human life is/why we come, why we go/so why then do I know/I will see you in far off places...

Author: By Scoop A. Wasserstein, CRIMSON STAFF WRITER | Title: Morrissey | 4/13/2006 | See Source »

...major focus of the Expressions show, and this year is no different. Elisabeth C. Michaud ’09, and choreographer for the lyrical piece noted that “it’s very soulful and hits everyone on a different level.” Fans of the 80s and 90s may well enjoy what seems to be a tribute to New Edition and as dancers exuberantly perform to “Cool it Down,” “Poison,” and “My Prerogative...

Author: By Kimberly D. Williams, CONTRIBUTING WRITER | Title: On the Radar: Expressions Dance Company | 4/13/2006 | See Source »

...answer, parents must be applauding a show full of old-fashioned optimistic pop, rather than the woe-is-the-world nihilism of more mature rock and rap. Indeed, the songs are designed for the ears of the young and not-so. They take their hooks from old ('60s-'80s) pop, filching motifs heard in every retro-rock musical from Grease and The Rocky Horror Show through Footloose and up to Hairspray - all of which have been Broadway shows and (when Hairspray is filmed next year) movies...

Author: /time Magazine | Title: Gotta Sing! Gotta Dance! | 4/7/2006 | See Source »

...forgeries, but his question is essentially the same. Ponders has-been Australian artist Michael Boone: "How can you know how much to pay when you have no bloody idea of what it's worth?" As Boone hails from Bacchus Marsh, Carey's birthplace, and finds himself at art's '80s epicenter in Manhattan, where the novelist has lived for nearly two decades, the question of creative worth would seem to resonate strongly with the Booker Prize winner...

Author: /time Magazine | Title: Literary Steal of Approval | 4/3/2006 | See Source »

...With Carey's fictional engines at full throttle, it seems petty to point out that Manolo Blahniks were virtually unknown in 1980. Or the unlikelihood of someone like Boone receiving a museum retrospective at 30, then falling into obscurity a few years later. And the early-'80s New York art scene was a little livelier than the moribund one his characters inhabit. But Carey isn't so much interested in the art world as in creative enterprise itself. "Shame, doubt, self-loathing," admits Boone, "all this we eat for breakfast." Perhaps we can allow Carey his moments of doubt. After...

Author: /time Magazine | Title: Literary Steal of Approval | 4/3/2006 | See Source »

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