Word: 90s
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Dates: during 2000-2009
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...sound of a near-total stranger taking up space. No matter the room number, from the River to the Quad, everyone seems to share a wall with the most absurd of characters. They scream at inhumanly high pitches, they cackle and guffaw, they blast ’90s pop into the wee hours (especially during Reading Period). Some of us respond in kind—by yelling for quiet, throwing sneakers at the wall, or just learning to grit our teeth and bear...
...lynch mob. Rather than a denunciation of Bush (hagiography is out of the question), he offers a fairly straightforward life. The film moves simultaneously on two chronological tracks: Bush's life from his Yale undergraduate days in the mid-'60s to his governorship of Texas in the mid-'90s, and his Administration's 2002 preparation to invade Iraq...
With their overly flamboyant evening dresses, the clothing lines of former model and fashion designer Eletra Casadei marked the excess of the 1980s. Some of the clothes even appeared on two of the decade's most popular TV shows, The Golden Girls and Dynasty. In the '90s, however, Casadei--along with others in the industry--took a different tack. She began re-creating dresses worn by celebrities at awards shows and selling them at marked-down prices, starting a furor in the high-end fashion world over copyright law. Still, her work continued to gain a following for its affordability...
...Winehouse era, the British exported their music, not their dirty laundry, which is why it's possible for Americans to recall the mid-'90s moment when Oasis and Blur jostled for the title of rock's best band in complete ignorance of the fact that the groups genuinely loathed each other. The divisive issues were class and ambition: Oasis' Noel and Liam Gallagher boasted that they had neither, while the members of Blur were posh college kids who briefly went by the band name Seymour, after J.D. Salinger's suicidal genius. Blur's music had oblique melodies and omnivorous influences...
These songs show the problem with the very idea of a Morello folk album. Rage Against the Machine was one of the most important bands of the 90s, and Morello practically invented the genre of “Nu-metal,” but whatever you think of that movement you cannot say that it was subtle. Simplistic left-wing posturing works much better when coupled with loud, powerhouse riffs, and Zack de la Rocha’s rapping than it does here with Morello’s flat voice and only intermittently engaging instrumentation. The volume may have been...