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Turner describes the production’s musical tone as somewhere in the genre of “late ’90s Japanese hardcore.” According to him, the musical styling, created by sound designer Jim L. Fingal ’05, reflects the relationship between the “two sets of characters with completely different world views” by using diverse musical juxtapositions in a “play of light and dark music.” As no play about the turn of the 21st century could be complete without Prince?...

Author: By Mary CATHERINE Brouder, CRIMSON STAFF WRITER | Title: Hacker Thriller Hits Close to Home | 5/5/2005 | See Source »

...image of exclusivity remained through the 90s. “While snobby might not be the exact word I would use,” said Jonathan T. Kaden ’97, a non-member who had friends in the organization, “it’s close enough...

Author: By B. BRITT Caputo, CONTRIBUTING WRITER | Title: Pretension? Moi? | 5/5/2005 | See Source »

...like Lithgow, are absolutely legendary among “Theater People” and who had “That One Thing” that made them somewhat famous among the general population (in Lithgow’s case, his starring role on the late-’90s sitcom “3rd Rock from the Sun”), but who never quite attained the cultural ubiquity of a pretty face like, say, Ashton Kutcher...

Author: By Abe J. Riesman, CONTRIBUTING WRITER | Title: The Many Faces of John Lithgow | 5/5/2005 | See Source »

After coping with a post-9/11 slowdown and an oversupply of grapes, the global wine market is regaining the tremendous growth it enjoyed in the '90s, and one leading reason is Gallo. The world's second largest wine company, with estimated sales of $3 billion (after publicly held Constellation Brands, whose series of acquisitions brought sales to $4.1 billion), family-run Gallo has the industry's top research and marketing staff and has become legendary for seizing on consumer trends--whether they were jug wines in the '70s, Bartles & Jaymes wine coolers in the '80s or development...

Author: /time Magazine | Title: Marketing: Gallo Says Bonjour | 5/4/2005 | See Source »

...1980s, he desperately tried to distance himself from the Zeppelin legend - and unfortunately succeeded, churning out album after forgettable album of turgid, synth-heavy pop. A foray into R&B covers with a band called The Honeydrippers brought him some commercial success, but little creative joy. In the mid-'90s, he reunited with Page. The duo's live shows frequently revisited Zeppelin's Valhalla heights, but their formulaic studio album, 1998's Walking Into Clarksdale, lumbered along like a mastodon. "We were always dogged by the past," admits Plant. "It's better like this, apart. It gives me more space...

Author: /time Magazine | Title: The Secret Life of Plant | 5/4/2005 | See Source »

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